Crop Stories - Collards By Maurice Manning

Collards

By Maurice Manning
Collards
Maurice Manning

Photo by Madeline Gray

Some people plant their collards in rows

for a neat, predictable arrangement.

Others, however — and this is really

the old-fashioned method — plant

their collards in a jumble. They loosen

a little patch of ground and sling

the seed in a blur all over creation.

All over creation — allowing the mind

to contemplate a vastness is pleasing.

And who would argue with creation?

The result of the old-fashioned way

puts one in mind of a green sea

with a bluish haze above it like

a cloud. It looks like everything

that is is there, a waist-high

and leafy green eternity.

I like to lose my sense of order

in the green world. That's what I call it.

The green world, it's beautiful.

The distinction between the rows and jumble

is probably a metaphor.

A metaphor for what is the question,

but I'm going to sit on it a while,

give it a little time and see

if something illuminating comes

to mind. Or not. It's strangely refreshing

when nothing illuminating happens.

You stand there in the green world

and it is what it is, nothing beyond

itself, silently existing.

Poetry is always surprising.

Naively I've approached it, thinking

some lofty thought to say, only

to discover silence says it all.

I've written of collard greens before

in a rather humorous little poem.

It's a pretty inexhaustible subject,

no wonder I've returned to it

again, and find that having less

and less to say is where the real

poem on the matter is,

in the bluish haze above the green.

Nothing more to say than that,

but in it is a kind of love,

and poetry relies on love.

Listen to Episodes of the Crop Stories Podcast. Look out for an episode featuring Maurice manning's piece, out September, 2026.
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Crop Stories - On Verse, Vegetable, and Rhetorical Violence By Cynthia Greenlee

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Crop Stories - A Farmer’s Learning Curve By Kamal Bell