the Crop Stories Podcast

Crops and Conversations: Bringing the pages of the Crop Stories journal to life through seasonal conversations with the People who grow them.

A season of The Crop Stories Podcast between Utopian Seed Project’s host, LuAnna Nesbitt, and a guest expert focusing on a specific edition of the Crop Stories journal each season.

What?

To deepen the connection to these specific stories and the program as a whole; To provide new ways to engage with the content (audio vs. written); To open Crop Stories excerpts for broader interpretation and discussion.

Why?

This season focuses on our Collards edition and is co-hosted by wonderful collard expert, Ira Wallace. Our first episode premieres in February, 2026, with new episodes dropping monthly. You can expect Season 2, featuring Southern Peas and a special guest, in 2027!

When?

Season One, Collards

EPISODE ONE: A Crop Stories Conversation with Ira Wallace featuring Chris Smith’s piece, The Heirloom Collard Project

Themes: Agro-biodiversity, heirloom collards, food sovereignty, genetic diversity, community gardening, African diaspora, culinary traditions, collaborative projects

EPISODE TWO: A Crop Stories Conversation with Ira Wallace featuring Mehmet Oztan’s piece, Grief and Growing: An Immigrant Seed Keeper's Story of Cultivating Connection

Themes: Food systems, collard greens, seed saving, cultural heritage, immigrant stories, culinary traditions, adaptations, food memories, seed varieties, community

  • LuAnna  

    Welcome to the Crop Stories podcast, where we bring the pages of the Utopian Seed Project's Crop Stories publication to life. Based here in the mountains of Western North Carolina, we're on a mission to strengthen our food system through the power of agro-biodiversity and the relationships that sustain it. Our Crop Stories program helps achieve these goals by connecting people to specific crops and their stories. If you believe in a more resilient, storyful future, consider supporting us as a monthly donor. You'll find the details in the show notes, and again, welcome to the Crop Stories Podcast. I'm LuAnna, and I'm so glad you're here.

    Well, hello everyone. Thank you for joining us in on our first ever crop stories podcast episode. This podcast will act as our audio companion to Utopian Seed Projects Crop Stories publications. The Crop Stories program was designed to kind of creatively share the stories that connect people and places through food and seeds through a crop focused journal. And so through the journal, we hope to kind of continue bringing folks together around stories and personal reflections, to sort of highlight these crops and their people. And now we have the goal to expand this, expand people's interactions with crop stories through audio. And so each crop stories journal will now be accompanied by a podcast season that features the written pieces from the publication as well as a deeper dive into them with an expert in the field. Through this podcast, we kind of hope to inspire folks to become more involved in the crops that we cover and to read the journals in their entirety. We also aim to offer another way to connect with the crop stories program through this podcast and extend the interactions that people are having with these stories. Today, we are joined by the incredible and renowned seed steward, founder of the cooperative, owned Southern Exposure seeds company, Ira Wallace. Miss Ira is a writer, esteemed gardener, heirloom expert, humble leader, and has a big heart for southern food and seed. It's an honor to be with you today, Ira. Together, we will begin our deep dive through the collards edition of Utopian Seeds Projects, Crop Stories journal. Miss Ira will be our resident collard expert as we listen in to the authors reading their own excerpts. In each episode, Ira will offer her reflections and thoughts on the topics at hand, and we will have a discussion around the piece afterwards as well. So thanks for sitting down with me, Ira. Before we begin, is there anything you'd like to share about yourself, your work with collards or the Crop Stories program as a whole before we get started?

    Ira  

    Well, yeah, a little bit just to say that I live at Acorn Community Farm, an intentional community and the home of Southern Exposure. And it is through my work with Southern Exposure Seed E xchange and the early years of working with Monticello on heritage harvest festival for 12 years that I was reached out to about this collection and many other amazing southern varieties and crop types. So it's so important connections and spreading the word about fabulous southern food.

    LuAnna  

    That's perfect. Yeah, that's exactly what we came to do today, is spread the gospel of these southern crops. Well, Miss Ira. I can't thank you enough for joining us. Our first collards excerpt that we're going to feature is actually Chris Smith's piece titled the heirloom collards project. This is a really great introductory piece to the collards crop stories as a whole. So I'm excited to kind of do this piece alongside our introductory episode. So to get started, we're going to listen to Chris's together as he reads through his words

    Chris Smith  

    The Heirloom Collard Project, written and read by Chris Smith. The classic greens of the South are mustard, turnip and collard. I’m not a massive fan of mustard greens, definitely favoring mustards of the whole-grain persuasion. I don’t mind turnip greens, although I prefer the roots, sliced thin and fermented.  But collards ... collards are a magical green. I haven’t always known this. In 2017, at Monticello’s Heritage Harvest Festival, Dr. Sarah Ross of the Center for Research and Education at the Wormsloe Plantation historic site in Georgia and Ira Wallace of Southern Exposure Seed Exchange (SESE), dragged me into a conversation about a large U.S. Department of Agriculture (USDA) collection of heirloom collards, more than 90 varieties. Tor Janson, formerly of Seed Savers Exchange (SSE), was the other person at the table, and Ira and Tor had already been working to request and grow varieties from the USDA collection.   The aim was to take this beautifully diverse collection of collards; grow and evaluate them; regenerate seed stock; and offer them through seed catalogs so everyone could enjoy them. Soon after this meeting, we created a website (heirloomcollards.org) and an official name, The Heirloom Collard Project.   But the collards had a story way before I took an interest.   In 2016 Ira traveled to Charleston, South Carolina, where Dr. Mark Farnham, a USDA geneticist, was running an observational trial of all the collard varieties in the USDA Collection. Ira describes rows and rows of beautiful collards in all sorts of plant structures and colors and combinations. “It made me feel like we needed to make a commitment to regenerate these varieties and make sure they’re available to future generations of gardeners and farmers,” said Ira in a video about the project. Shortly after visiting Charleston, Ira reached out to Tor at SSE, and they started dreaming of how to bring these collards back to the people. Now, some of these varieties are available through SSE and SESE, and more seed regeneration work is underway.   But again, the collards had a story before Ira got involved.   Ed Davis and John Morgan, professors of geography at Emory & Henry College in Virginia, spent large chunks of the early 2000s driving around the backroads of North and South Carolina. They were searching for collards and are the people largely responsible for the USDA’s impressive collection of heirloom collards, which inspired the work of The Heirloom Collard Project. In 2015, they published Collards: A Southern Tradition from Seed to Table. This impressive book led Ed to Ira, and Ira to the collards.   But the collards had a story before Ed and John started searching for them. They acknowledge as much in their book, writing “contemporary Southerners owe much to the collard lovers who came before us — the cooks who developed and passed down over centuries so many delectable ways to prepare collards. We also owe  hanks to those pioneers of the garden who did the work to develop the collard plant to what we know today.” It needs stating explicitly: We owe thanks to the enslaved African Americans who, robbed of their freedom and their homelands’ foods, adopted the collard and integrated it into gardens, kitchens, and therefore Southern foodways. This isn’t written about in the culinary and agricultural texts of the 1800s because enslaved people were forbidden from learning to read and write, but evidence of their influence shows up in the way food is cooked and the early cookbooks written by white women.   At the beginning of 2020, Norah Hummel and Phillip Kauth of SSE, Ira Wallace, Melissa DeSa of the Florida-based nonprofit Working Food, and myself came together and launched a nationwide collard trial with 20 heirloom varieties. Hundreds of people across the country grew a random selection of three varieties, and eight larger trial sites grew all 20. With all that collard energy, 2020 ended with a weeklong video series focused on education and celebration around collards, now viewable at heirloomcollards.org/ collard-week-2020. The collard trials (and enthusiasm) overflowed into 2021, with overwintered collards and seed saving activities, and grant funding from the 1772 Foundation that allowed us to host a Collard Visioning Meeting in Asheville, North Carolina. Knowing that the collard story is way bigger than ourselves, we brought together an incredible group of collard-loving people to discuss the future of The Heirloom Collard Project. It was an inspiring and beautiful weekend, and many of the ideas are already weaving toward reality. Working with seeds is always an important balance of honoring the past while looking to the future, and as we dream forward, it is clear there is much work to be done. The Heirloom Collard Project aims to reconnect the seeds and culture of collards through food and community, and we want many more people to join that community. Or, as Ira wisely and simply stated, when talking about the collard collection, "You can grow some, and you  can eat some, and then your  commitment will be sealed."

    LuAnna  

    So Ms, Ira, would you please just share your initial response or reflections to this piece, like, what were you thinking about as Chris was reading his own reflections on the heirloom collards projects, but also talking about you and the work you've done. How did it feel to kind of just hear this spoken word about it?

    Ira  

    Well, I felt a little humbled, because this was, you know, a personal enthusiasm that suddenly a large community is forming around. And this was just the little the center of the road. But, you know, we knew Michael Twitty, and he spread the collard word, not through just the things that we did, but other activities he was involved with, like at Old Salem and in the neighborhood there getting local varieties and that that, you know, the first variety that was regenerated for the project was in that area by a group of African American sorority ladies. And it just like all these memories came rushing back, I was amazed, because people, everyday people, saved these seeds, and they were on the brink of extinction, because so many less people garden, and even less seed saved at this point, and our small group and reaching this information and samples of the seeds out to a wider group, hit on something, like it's kind of like collards are the poster child of the African diaspora, and it has also speaks to white Southerners. It was one the food that, in hard times, kept people healthy and fed. So I don't know. I'm going pitter patter, yeah.

    LuAnna  

    No, I think, I think that's beautiful, and you're onto something there. And, yeah, it's interesting to kind of hear how thinking of these benefits of this project, right? It's honoring these seeds, these legacies, this black culture and stories. So one question I have for you, like those things, obviously, but more explicitly, like, why do you think it is important, or was important, to kind of regenerate and make the USDA's collection of heirloom collards available to the public. You were saying, you know, they were going extinct, but really, like, the USDA has this collection of collards that are sitting there and so, yeah, just kind of, if you could expand on why, why you think it's important to the work of collards, but other crops alike.

    Ira  

    I think it's important because if we think that food sovereignty, that farmers having more agency in in their work, and not just growing what the contract for a supermarket says or something that having things that cause people to want to maintain these seed saving skills and maintain a wide diversity, genetic diversity that is selected just for a certain kind of climate and a certain taste palette, that this collection is an opportunity to showcase this important, healthy vegetable, and to look at have people who say, Well, I'm not a farmer, or I don't really be a seed saver. You don't have to save everything. And even in the days when people saved a lot, most people only saved a few things and they bought the rest of their seeds, but the things that they saved really mattered to them. They like the flavor. They grew exceptionally well for them, and this the genes in collards are the same, like in broccoli and cauliflower and these that whole family, you know, for example, having nematode resistance, which some collards have shown, is there. And when we save them for their flavor, we're also saving all of these agronomic characteristics, so it's just exciting, and it reminds me of my grandma.

    LuAnna  

    I love that. Could you kind of, I have some other questions for you, but just pausing on this thought of your grandma, what the first memory of your grandma and collards, and what is it reminding you of her doing?

    Ira  

    Well, she had a patch of mixed greens, but the collards, the the turnips and mustard, were mixed together, and you just either picked a mix or separated them by the way they look, but the collards got big, so they were on the edge in their own section, and we would have on the weekends them at least once. And it just reminded me of the kinds of dishes that I grew up eating, and they were also easy to harvest because they're so tall and big and yeah, that, I guess that was what it was with her, and being in the backyard where we had fruit trees and a garden that had to be shaded in the summer to keep producing, and it was shaded on the south side by pecan tree, but it would get nice morning sunlight even in the summer. I guess that's it. And you know, she didn't just garden. She cooked really good.

    LuAnna  

    Wow, that sounds magical. Well, thanks for sharing that. I love to kind of sit with the pictures that you're, you're drawing. It kind of puts it in perspective this connection that you have to this food. I have a question regarding your quote that Chris used in his piece, you stated you can grow some and you can eat some, and then your commitment will be sealed. This idea kind of suggests a direct connection to food, right? So if you could just share a little bit more about how does growing your own food, even a small amount, change your relationship with that crop, and how does seed play a role in its relationship as well?

    Ira  

    Well, I think growing successfully even a little bit of food, people take pride in it, because we kind of joke about those $10 tomatoes you grow, but you just bite into it and it, the juice goes down your arm, and it's really amazing. Or you can have collards. You can have them when they're young and tender. You can have big ones so you can make collard sandwiches with them. You can, you know, have have a diversity of a crop that is easy to grow. I think that when people make a recipe the way that your grandmother made it for the holidays or something, that it it's not just flavor, but it's the memories of all the happiness and fun in the family that was happening when you were eating those things as well. And there's things like, you know you're gonna do southern peas coming up. And there is nothing like a fresh shelled pot of summer Southern Peas. It just isn't like what you get in the store. So it's kind of like fresh off corn in the cob. Fresh pit is just carried up to a higher degree of tastiness. I forgot what you asked, hahahaha.

    LuAnna  

    I love it. I mean, you definitely were touching on it, this idea of, yeah, how growing your food changes your relationship with that food. I know a lot of people always ask me, like, how do I get into seed? You know, how do I get into this work? And it's like, just find one food, just one thing, one crop that you love, even if you don't know how to grow it yet, and then figure it out and hone in on it and then save the seed. But yeah, I was just curious how seed plays a role in this relationship to our food and crops. And I think you you answered it, but if you have any other ideas around, yeah, how to use our food as like a source of inspiration for seed work, I think inherently, it is, but yeah.

    Ira  

    Well, the other thing with growing some of your own food is you can grow special things like herbs or things like uh, hibiscus sabdariffa, Roselle, and making a drink out of it. And a small area can bring you something very special and unusual, and you don't have to, you know, have a half acre for that to happen. Some people grow them in pots.

    LuAnna  

    Yeah, it's good to put that in perspective, right? Like you don't have to be this massive farmer to have this connection to growing your food. I have this other question kind of related to the heirloom collard project, just thinking about the benefits of this project and projects alike, these type of collaborative approaches to seed preservation and education around food and crops. What do you see as a benefit of other projects kind of going towards this more collaborative approach to preservation?

    Ira  

    Well, it decentralizes it. It makes it that when something happens, like what's happening with the government now that a lot of programs are being defunded, but if actual everyday gardeners and farmers have taken seed saving, at least on a small scale, into their own practice. It can continue that work no matter what happens with institutions. And I think that's important, because the reason that this collection was there is because these older seed savers had continued to save the seeds even when it was no longer fashionable. So I think there's that, and it allows young people, because a lot of the people who are involved in adjacent projects, or school gardening projects or community gardening projects, where young kids to high school kids are growing collards and selling them or providing them for their school lunch programs and things like that.

    LuAnna  

    Yeah, totally. Going back to what you said earlier, to kind of end on this idea of food sovereignty and moving towards more a decentralized way of being in this food world. What kind of projects do you see forming and to kind of uplift the work of food sovereignty around specific crops in the south, or just around farming and seed preservation in general, for us to reach this goal of food sovereignty in the South.

    Ira  

    Well, you know, having people have the basic skills to save at least simple varieties. I mean, collards are good because they're biennial, but in the southeast, they can be left in the field. So you don't have to store them. But people store them successfully. You know, all of these Midwest people who are getting and upper midwest people who are getting into the collard project, and they think it's worth bringing those in or put them in space in their greenhouse work, but here in the southeast, we don't even have to do that. We can have them outside in the field, and it gives us something that is a late winter. I mean late fall, early winter, and then early spring, harvestable crop to sell. Know a guy in Maryland, Brosco, who we called him the king of the winter vegetable in DC area. And he would have 30 acres of outdoor greens of various sorts, and be able to have been selecting for winter hardiness, and be able to supply all these restaurants and produce markets and farmers markets. That's something that you know, he's on a big scale, working with a lot of college interns who spent any of them continue to be gardeners or farmers after they worked with him when they see it's possible. And he did his seed saving for these more cold adapted varieties, for growing outside. There's just so many things about not just eating, but also, the variety allows the small farmer to have more beauty and diversity in the way their market stands look. And normally, you know, a single shopper would only buy one kind of one bunch of collards or two. But if you have three, but three different, really distinct looking ones, they might just have to have one of each. So, and that is something that you don't have to be fancy to have control over as a farmer.

    LuAnna  

    And yeah, thinking about, you know the heirloom collards project, and where it's going, right? It's doing all of these, there's so many different collard projects popping up now. It's obvious people love, love collards, and they carry such a weight, especially in the southeast. I guess, what are your big dreams for collards? And where do you hope to see it, you know, kind of go and also, how do you think people who maybe are obsessed with a crop that isn't as renowned or well known or loved in the southeast, yeah, how would you suggest someone kind of doing some sort of collaborative project, like the heirloom collard project, on a on a, maybe a smaller scale, with a crop that isn't as people are, as passionate about?

    Ira  

    Well, sometimes in the early days of my working with heirloom tomatoes, it would be taking them through a whole thing, having a variety of heirloom tomatoes on your at your market stand, but the next year, having seedlings of some of those varieties as well available, having ones that are good for different culinary purposes, a sauce one, one that's good for drying and so forth, and having information available, doing projects with school children, highlighting those what you consider in important varieties. And you don't have to have, you know, 40 different ones. You can have three to five different okras that are distinctly different looking. And share a lot about okras and how they how they are at different stages, and share recipes, for example. Or you can bring something that isn't as common but was common when I was growing up, like butter beans, or, you know, and you can have little baby butter beans. You can have big, giant Limas and ones that are really nice when they're green, some that are more for letting mature and dry and making soup in the winter. And the thing, as any kind of a food person, you're you're selling something to eat, but you're also selling a story, and sometimes a time and a place that doesn't exist, but was important at one time.

    LuAnna  

    One word that's stuck out while you were talking was this idea of diversifying, right? Always better to diversify, and especially when you're you know, starting out these projects or starting out with a crop, diversifying the genetics, diversifying ways you use it, yeah, definitely carrying that idea with me. Miss Ira, is there anything else you'd like to share kind of in relation to Chris's piece before we wrap up our first episode of this pilot podcast?

    Ira  

    Well, yeah, one little thing is one reason that Chris, you know, mentioned that collards were something that weren't written about the African American enslaved people who did a lot of the early selecting and learning how to cook with these greens that made it such a staple in the south. And when we think that, why wasn't this vegetable more widely spread, and part of it was the thought that it was for poor people and black people. And now we can say the fact that it grew in such trying circumstances in marginal gardens to be something that kept people healthy in really difficult times. Is a reason to, you know, bring it in to making your garden a place for growing healthy food in these times.

    LuAnna  

    Yeah, thank you for bringing that up. And yeah, it's interesting just reflecting on my own childhood, you know, I similarly ate so many collards, and to this point of, like, going to school and like, people not having that experience around me and feeling pushed back on. Oh, I, like, other people aren't eating this. I don't want to eat this as a child. So thanks for sharing that. I think it's really important to, yeah, reflect on those relationships, and to acknowledge the cultural impact of collards for black people and the way that it was used as a tool to belittle people. And now just sitting here with you and getting to do this podcast and talk about, I'm like, giddy over it, almost this just how powerful, and hear you share your thoughts around it. 

    Ira  

    Remember that $64 dish of collard casserole that you could order from Lehman and Marcus when the collard project first started, I was like, I guess you got to do it to have everybody be able to have some, the people who spend too much on food, can eat some too, hahaha.

    LuAnna  

    Hahaha, that's right. Well, I'm excited to, you know, get to listen to the rest of these collard pieces with you to see what else we chat about and the input you have to share. Miss Ira, I can't thank you enough for sharing your thoughts today and joining us on this season of the Crop Stories podcast and being our collard expert, you really are. And so next episode, Miss IRa and I will be diving into another excerpt from the collard magazine. So thanks for listening and thank you, Ira, for just being with us today.

    Ira  

    Thanks for having you do such good work with seeds and support our love for heirloom collards.

    LuAnna  

    Thanks for spending some time with us in the crops we love. Every seed we save and every story we tell helps shape our food system into something deeper and more resilient. If today's episode sparked a bit of curiosity, please share it with a friend or fellow gardener, and if you're able, head to our show notes to become a monthly supporter via our crop stories, donation link. Your contributions help keep this project going. Thank you, and until next time you.

  • LuAnna  

    Welcome to the Crop Stories Podcast, where we bring the pages of the Utopian Seed Project's Crop Stories publication to life. Based here in the mountains of Western North Carolina, we're on a mission to strengthen our food system through the power of agro biodiversity and the relationships that sustain it. Our Crop Stories Program helps achieve these goals by connecting people to specific crops and their stories. If you believe in a more resilient, storyful future, consider supporting us as a monthly donor. You'll find the details in the show notes, and again, welcome to the Crop Stories Podcast. I'm LuAnna, and I'm so glad you're here.


    LuAnna  

    Hey, y'all, thanks for joining in to listen to our second Crop Stories Podcast episode hosted by me, LuAnna Nesbitt. Again, this podcast season will act kind of as our audio companion to Utopian Seed Project’s Crop Stories Collards publication, and still features our wonderful co-host and collard expert Ira Wallace. How are you doing, Miss Ira, how are the gardens looking for y'all at Acorn now that it's May and Spring is in flux?


    Ira  

    Well, it's nice. We had some good rain, and things seemed to double in size overnight.


    LuAnna  

    That they do. Yeah, I feel like all of a sudden everything is happening. And I don't know, I always get this new Spring, like passion for life in general, but it just feels really nice to have leaves on trees and plants in the field. How are your collards looking?


    Ira  

    They're small because we were quite busy earlier, and the spring collards aren't really anything except for eating, a lot of insect pressure. So we try to have July not have any brassicas above ground. And so we'll just have a small crop of spring eating collards. And we just finished our winter over ones, so we shall see.


    LuAnna  

    Well, thanks for the collard update. Yeah, ours are, our collard seed crop for this spring is it's looking a little it's looking good, but it was a little sad because the deer have been really intense this past winter. Well, today we're going to be focusing on Dr Mehmet Oztan's piece titled Grief and Growing Turkish Collards, An Immigrant Seed Saver's Story of Cultivating Connection. And I'm really excited to debrief this one with you, Ira, and hear some of your thoughts on the themes at hand. I feel like it brings up a lot of things around immigration and sense of place that feel really relevant in the current state of the world. So should we get started? Yes, absolutely.


    Mehmet  

    Grief and Growing, An Immigrant Seed Keeper's Story of Cultivating Connection, by Dr Mehmet Oztan. When I think of Trabzon, I always think of my father. When I think of Trabzon, I think of collards. My father was born in this Turkish town on the coast of the Black Sea. In 1972 as a forestry professor, he returned to his home region, the Karalahana. The Turkish term for collard greens, had been celebrated for 1000s of years. The word lahana in Turkish comes from the Greek word lahano and means vegetable. Kara is dark. Karalahana leaves and stems are used in a variety of phase from pickling or stuffing to soup in Trabzon. In 1986, my family moved to the Turkish capital Ankara from Trabzon. I was only six years old when we left. Yet some of my most vivid childhood memories involved the food I had there, particularly fresh anchovies and huge, ground Trabzon bread with butter from cows that graze the region's Highlands. However, despite Karalahana's significance in the regional kitchen, my mother wouldn't cook Trabzon's two staple meals, collard soup and stuffed collards, perhaps because she isn't from the region, and she found the dishes enhanced with lamb fat to be too heavy for her palate. My father didn't ask her to fix his regional delicacies, but showed his dedication to his birthplace in other ways. My father dedicated almost 30 years of his professional life to Trabzon, the blacks region and their people. As an educator, He taught his students how to connect respectfully with nature and preserve the breathtaking forests of the region. He died in his sleep from a heart attack in 2003 working on a landscape project and far away from us. I'm still very angry and frustrated for not having a final conversation with him before he left this world. When I became a seed keeper after I came to the United States as a graduate student in 2006, I realized how my father's relations with trees, flowers and people influenced how I steward the seeds of my homeland. I was living in Tampa, Florida at the time, and I didn't, still don't, have access to Trabzon's, traditional bread or to fresh anchovies. But soon after my arrival, I found out that collards are culturally important for black people in the US South. When my parents in law from Monroe, Louisiana, throw a party for me and my partner in 2011 to celebrate our marriage, I was amazed to find out that the plant thrives in the region, just as it does in the different climate of the Black Sea region of Turkey. Not only that, corn bread and collards were paired in the south the same way they are in Trabzon. I began thinking about how seeds and fruit can connect people and places of different cultures 1000s of miles from each other. That motivated me to grow the seed when I visited Turkey last November with my mother and brother, I went to the Ankara restaurant zigana, which specializes in the Black Sea region's traditional food. I specifically ordered collard soup and stuffed collards. I marveled again at the fascinating similarities between food traditions of the Black Sea region and US South. Some ingredients native to the western hemisphere are used in dishes in both locations. The soup has barbunya Bean like the Pinto, kolkota, hominy corn, sweet red pepper, bulb onions, tomato paste and chopped collard greens. Individual collard leaves are filled with ground veal or beef, a combination of hominy corn and bulgur or rice cooked in bone broth and butter and served with yogurt on top. Beans, corn, peppers and tomatoes were only introduced to Turkey a few 100 years ago through settler colonialism and trade, but the regional cuisine of the Black Sea region, like in other places, with old food traditions, quickly adapted to these new ingredients. I wasn't very familiar with either Karalahana dish I had at zigana, which seems contrary to how strongly I feel this plant connects me to my father. Living in the United States, very far from my homeland, hasn't been easy. If you don't find ways to cope, being an immigrant may mean being forgotten by your own people and the place that gives you your whole identity when you lose touch with them. When you are away from your homeland, people you know die, language and culture transform, friends get married, your family ages and you can easily become a stranger to everyone. My seed keeping work in which I propagate and distribute mostly Turkey seeds that are rarely commercially available there or in the United States, is an effort to rebuild biodiversity. But I also have selfish reasons to be a seed keeper, to lessen my distance to my people, land, culture and memories. Seeds help me keep my proximity to all the things I don't want to forget through stories, flavors and recipes. Since my partner and I co founded our Seed Company, Two Seeds in a Pod in 2013 I have introduced more than 100 seed varieties of my homeland to the commercial seed market. However, despite all my interest in saving seeds from Trabzon's Karalahana, in almost 10 years, we have never been able to offer them in our catalog, either when we were in Florida or after we moved to West Virginia. Bad timing, farmers fatigue, neglected seedlings, high humidity at the time of seed maturity, something always kept me from fulfilling my role as a seed saver. I had to repeatedly source the seed from a gardener friend who lived in Istanbul until two years ago. I've often wondered, as I introduced scores of Turkish grown eggplant, okra and other vegetables, whether my failure in saving enough seeds from my crops sustained my successive plantings is deeply rooted in my emotions, particularly my frustrations about my father's sudden death and my desperation to reconnect with the plant and place I strongly associate with him. In 2022, almost a year after we built our greenhouse on our farm in Reidsville, West Virginia, I finally have a small but vigorous crop of Trabzon's Karalahana growing inside the greenhouse. It successfully weathered winter's low temperatures without heavy frost damage, a process that will stimulate spring flowering and summer seed production. I will never know whether my father liked Karalahana, ate it at restaurants, or if his mother ever cooked it at their home. We never ate it together. What I do know is that after almost a decade of struggle, growing seeds of this resilient vegetable, season after season, keeps my memories with my father alive. I can only hope that the growing will ease my grief. Sometimes the thing you most want is so out of reach.


    LuAnna  

    I adore that piece. I think it says so much in such like a, it's not necessarily a simple story, but it just feels so like familiar, probably for a lot of people, whether it's just from moving out of your home state, or whether it's, you know, leaving your home country. And I can't imagine what that feels like. But yeah, I'm kind of curious what your reflections are, Miss Ira about hearing this and yeah, just how you've kind of observed similar instances within families and communities of your own. Yeah. How are you feeling after listening to this piece?


    Ira  

    It made me think back to my grandmother, and, you know, sharing the garden with her, and whenever we have fresh young collards coming up in the fall. It's like she's standing behind my shoulder, looking. When he mentioned, you know, the stuffed collards, when I was young and my dad was stationed in the military in Fayetteville, North Carolina, near Robeson County, where the Lumbee tribes are, and we would go to this collard san, collard sandwich event every year. And whenever I have something like that, it just takes me back to that time where something so simple and fresh everybody was anticipating and enjoying together.


    LuAnna  

    Yeah, I love how food I think that's why everyone you know has their own connection to food. But I think why a lot of people have such strong connections to food is because it does take you back to your tradition, your family, or whatever it is, just sweet memories for a lot of us. I had the opportunity to get to try the collard sandwich, and it was just interesting, like it was phenomenal, delicious, loved it, but it's crazy to get to experience a food that you grew up eating in such a different way. And in Mehmet's piece, I feel like he's calling to that, like, you know, moving here and like, getting to experience collard, but still, I feel like you always have that I don't know the the connection to the way you ate it growing up, despite maybe other ways being more whatever glamorous or correct whatever way you ate it growing up, is, feels the most connected to you. Well, thanks for sharing that. Another question I had for you was around just this idea of like cultural heritage and connection to place. Mehmet sees his seed work, seed saving work as a way to kind of lessen his distance from his homeland. I think a lot of us feel that when we don't live in our in our original homes. So this feels, I don't know, in our current world, extremely relevant. And this idea of seed work giving people a place, a home, when maybe they aren't in that space, and I'm just curious how you how you see that cultivation and you know, sharing of specific plants and foods kind of act as this bridge to our cultural heritage and identities, especially for those who are immigrants or refugees, like, how? Yeah, how do you see this cultivation being a bridge for people? And maybe you could share about your own experiences with it. I don't know, but yeah, just something I'm thinking about.


    Ira  

    Well, I came into the seed saving movement through the seed savers exchange in the 80s and 90s, and a lot of the people who were donating seeds to the collection were immigrants from Europe and their children, but as we came into the late 90s and moving into the 2000s immigrants from all over the world who had resettled here started becoming a part of the seed saving movement and bringing more of a diversity of seed and in some cases, people I work with would reach out to the USDA seed bank for seeds that have been brought to this country from their country where it was no longer as readily available because of war and things like that. And, for example, various greens from Vietnam, yeah, I and I later got back into meeting people who were doing work about how the Southern cuisine evolved, and that goes way back to the slave trade, and how that the details of that history were interrupted by slavery, but the foods, you know, in the low country, in the Sea Island, take Southern Peas and sort of reinterpret how collards got drilled into that because these enslaved people were used to dark leafy greens. I like the part where Mehmet talks, you know, about the history of the word, and this is literally dark greens. And maybe that's why that they became so important for the diet of African American people, both during the times of slavery and as they became free and moved about the country, and you can just see that migration of the collards and the dishes from them following the migrations of people.


    LuAnna  

    And one other question or thought I had was like in the essay Mehmet touches on this introduction of new world crops like beans and corn and peppers and tomatoes to Turkish cuisine. And I'm just curious like, how this integration of new ingredients impacts but also transforms long standing like culinary traditions and dishes that people carry forward. And are there similar examples that you could share regarding collard greens in the American South or other crops? Yeah, just curious about this thought of taking a long standing dish that's very important to a tradition and kind of integrating it with new ingredients and things like that.


    Ira  

    Well, beans and Southern Peas and peanuts kind of are like this. And part of the part of the south where I grew up. My grandmother grew up in northern Florida, up near Tallahassee in little town called Perry. And my great grandmother had grown up in the southern parts of Georgia, and they mostly grew Southern Peas, and as people now are reclaiming and calling them African peas that had come there and but they also met with, you know, I live near Igor city, which is the Spanish influence part of Florida, as opposed to Spanish people coming from Mexico, uh and all kinds of black beans were the, you know, beans of my childhood. And we would always have some kind of soup that is leftover beans. And when collards were in season, they would be one of the greens in them. But we also had fresh corn and hominy. Yeah, that was kind of special. I kind of get out of the habit of making hominy, but I've been thinking about for this bipoc gathering that we're having here to get together with my friend Amy Rose, and she has her native American way of making hominies. And we could have a hominy bar.


    LuAnna  

    That sounds amazing, and now I'm just hooked on this hominy idea. And what could you tell me, yeah, your traditional method of making it like, what is your recipe that you learned growing up in Florida? Like, what is it? I want to know?


    Ira  

    Well, we did them with my grandmother. Would make ashes and so the corn and, and that. And it worked pretty good. And it gave a special taste to it too. I think why I don't do it so much is, you know, you have to get wood and dry it out and, um, try it out and make the ashes, and she liked to use a little seed and kind of have them be the same size and get the big pieces out. And, you know, she passed away when I went to high school, so I sort of when I was at college, had to reinvent how I could do it, because I never really got the measurements and stuff, because she eyeballed it.


    LuAnna  

    Was there specific wood or type of tree that was used for, for the ash, or was it kind of just whatever you had on hand?


    Ira  

    I think it was what we had on hand, you know, and I, and I haven't, actually, you know, research, that wasn't so committed to doing doing it from wood. But since I met Amy Rose, and she likes to make it her traditional way, and she uses woods. Fast growing trees are often used, but maybe I will have to go to one of her classes and actually take the notes.


    LuAnna  

    That's very cool. I love hearing, I don't know, it's so funny how we got on this trail of hominy. You know, like these stories just bring up so much for people. So I'm excited to see what other people think about when listening to this. And I think that's a big reason we're doing this is hearing the voice and hearing someone share their story in that way is just so much different than reading it. Um, yeah. And the story, I don't know, there's a lot of like, emotive things happening in it. You sharing about your grandmother and, like, he kind of mentions the various use of the Karalahana seeds kind of tied to this emotional state for him. And I'm curious about, how can the act of you. Working with plants, saving seeds kind of be a form of therapy or emotional processing, yeah. How? What are your reflections on that? And then, what are some ways that you've seen people find solace and connection through gardening or seed saving after experiencing such loss, such as like leaving your homeland, or being forced to leave your homeland, or death, or whatever it may be.


    Ira  

    Well, I see gardening as being therapeutic all sorts of ways, because we get a lot of requests for donation seeds. And what's so interesting about it is, you know, there are veterans groups where people are using farming and gardening as a way to work out trauma from, you know, war torn places and but you have people who have this abilities, who are using working in the garden as a way to circumvent those and go and be something beyond defined by that limiting condition. You know, growing food and then cooking it and sharing it is another way to also overcome being separated by languages we have visited, like Habitat for humanity and the people there. And in addition to, you know, being sort of this project that's building homes, it comes, you know, out of a community that was welcoming to refugees of different waves of them through since the 50s and and with all of that is sharing the food and food traditions that people bring with them.


    LuAnna  

    Yeah, I think the just hearing like the various uses of Karalahana for Mehmet from like, pickling to soup, it was cool to see right, like, how this emotive state, this raw connection to food, can be carried through such varied recipes, varied things, whether it's just like a pickle or like a very intensive process of like, you know, making this hominy and like having specific ash, and it's cool to see that tradition and culture can be carried through such little things. I'm just curious, what are some unspoken ways that people who might not have, like, explicit connection to their heritage and traditions be able to connect with these traditions from their family, like, what are some little niche things that you've seen people kind of cling on to that maybe aren't as explicit?


    Ira  

    Understanding about the Appalachian roots that people in the mountain South love their pole beans and families hold dear to a particular October bean or greasy beans. And I think that is kind of a special thing, because you just don't have the fresh tenderness that you get with those beans that begin to fill and they still maintain tenderness, even when the beans are forming inside of them, when you think they'd be tough, and people still maintain traditions with the means of stringing them and making leather bridges, even though they're no longer necessary for survival, so that you can have that grandma soup in the winter.


    LuAnna  

    Yeah, and I like that. It's a crop that, you know, we have this pole bean, for example, that you're using. It's a specific variety, like, that's what the tradition is. And like, the process of canning it or whatever. But it's not necessarily the way you cook it afterwards soup or just like in a pot or whatever it is, fresh or canned or but it's more of the gardening and having this specific variety, and it needs to have a string, because that makes it more tender.


    Ira  

    Right? And you know, there's all of those sweet onions, like the vidalia ones, that you really can only grow in certain kind of soils and climates, and people go out of their way to start them in the fall and try to harvest them just at the right time, and they aren't even keepers. So you have to, you know, a lot fresh and late spring and early summer. And now that's something that is extra good with your collards too.


    LuAnna  

    Yeah, bringing it back to a place of collards, Mehmet describes this as being celebrated for like, 1000s of years in the Black Sea region. And I'm just curious, you know, to end our conversation today, like, what makes collard greens such a resilient and enduring food across such different climates and cultures. And then, in your experience, like, what are the most fun or versatile ways to kind of prepare collard greens that you've seen, or different cooking methods that kind of impact their flavors and such.


    Ira  

    Well there are two things that I kind of like that are recipes that I learned more as an adult because I grew up with the kind of long, slow cook collards, but I met a friend from Brazil in my young adulthood, and they introduced me to their style of Brazilian beans with garlic. You take cloves and peel them and make them really fine, and then you're with your collard why they kind of remind me of growing up is I grew up in the cigar making part of Florida, and this idea of stacking the collards and rolling them tight like you would a cigar and cutting them very thin so they can cook in like, you know, 10 minutes or so in a frying pan with that garlic that you just could put in until it's just it's turning golden, and sprinkle a little salt on it, and you're really good. And you can, you know, use olive oil or some kind of animal fat if you have because when I grew up, my grandmother would save all of the fat and use it to season greens and stuff like that. And then the other thing that I had and didn't have so much growing up is soups and stews that have peanuts or peanut butter as a part of it, one of those soups with a bunch of finely top collards makes an excellent lunch leftover soup.


    LuAnna  

    Yeah, I likewise, grew up with the slow cooked collards, and I've, one thing I've been doing is my friend showed me how she made hers with coconut milk. And so good, just coconut collards, and they're so easy, you know, like, saute some onions, add your collards, put it in with some little bit of soy sauce and vinegar, and then add your coconut milk, and it's just so good. But I still love my slow cooked collards too.


    Ira  

    When I was in Jamaica, they use coconut milk for a lot of things, you know. And it's not exactly what I had thought of is what that underlying special flavor and Jamaican food was, and they it's different, different times fresh. You know, coconut water from the coconuts when they had been fresh cut, and then thicker stuff that you put away for using later.


    LuAnna  

    Well, Miss Ira. I you know, to wrap up, you could share a little bit about what makes collard greens so resilient and enduring, but it sounds like we've kind of touched on a lot of those themes. But if there's anything else you want to share about, yeah, Mehmet's journey of collards back in his homeland and here and about what makes it, what makes collards so resilient across these different cultures?


    Ira  

    Well, you know, the collards tendency to be able to be grown in 10 months is, I mean, it can be grown in 12 months. It's just a little challenging in the southeast in the dark days of summer. But I think that that possibility of starting them most of the months of the year and being able, in a very short time, have greens that you can eat, and then having them be able to be wintered over in our climate so that it could give fresh greens all winter is one of the things that has made a special, special things and and the southeastern cuisine, and it grows in not very good soil, too. So I find that endearing.


    LuAnna  

    Yeah, collards, they're survivors, and I feel like they're always accompanied with such strong people too. They mirror each other in that way. Well, I've had a lot of fun with you today. Miss Ira. This has been a really interesting and cool conversation we've had. I feel like I have a lot to think about regarding my own ancestry and immigration and connection to food, and I'm sure others will too. So thanks so much for sharing your important insights and your own connection to collards in that way.


    Ira  

    Well, thanks for having me. I am enjoying going back and reflecting on the color journals and the many lenses through which people grow and eat and share collards.


    LuAnna  

    Yeah, I'm excited to keep doing this with you. So join us next episode, y'all. Miss Ira and I will be diving into another excerpt from the collards magazine and getting in deeper with another another story. 


    LuAnna  

    Thanks for spending some time with us and the crops we love, every seed we save and every story we tell helps shape our food system into something deeper and more resilient. If today's episode sparked a bit of curiosity, please share it with a friend or fellow gardener, and if you're able, head to our show notes to become a monthly supporter via our crop stories, donation link. Your contributions help keep this project going. Thank you, and until next time you.

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