the Crop Stories Podcast

Crops and Conversations: Bringing the pages of the Crop Stories journal to life through seasonal conversations with the People who grow them.

A season of The Crop Stories Podcast between Utopian Seed Project’s host, LuAnna Nesbitt, and a guest expert focusing on a specific edition of the Crop Stories journal each season.

What?

To deepen the connection to these specific stories and the program as a whole; To provide new ways to engage with the content (audio vs. written); To open Crop Stories excerpts for broader interpretation and discussion.

Why?

This season focuses on our Collards edition and is co-hosted by wonderful collard expert, Ira Wallace. Our first episode premieres in February, 2026, with new episodes dropping monthly. You can expect Season 2, featuring Southern Peas and a special guest, in 2027!

When?

Season One, Collards

EPISODE ONE: A Crop Stories Conversation with Ira Wallace featuring Chris Smith’s piece, The Heirloom Collard Project

Themes: Agro-biodiversity, heirloom collards, food sovereignty, genetic diversity, community gardening, African diaspora, culinary traditions, collaborative projects

EPISODE TWO: A Crop Stories Conversation with Ira Wallace featuring Mehmet Oztan’s piece, Grief and Growing: An Immigrant Seed Keeper's Story of Cultivating Connection

Themes: Food systems, collard greens, seed saving, cultural heritage, immigrant stories, culinary traditions, adaptations, food memories, seed varieties, community

  • LuAnna  

    Welcome to the Crop Stories podcast, where we bring the pages of the Utopian Seed Project's Crop Stories publication to life. Based here in the mountains of Western North Carolina, we're on a mission to strengthen our food system through the power of agro-biodiversity and the relationships that sustain it. Our Crop Stories program helps achieve these goals by connecting people to specific crops and their stories. If you believe in a more resilient, storyful future, consider supporting us as a monthly donor. You'll find the details in the show notes, and again, welcome to the Crop Stories Podcast. I'm LuAnna, and I'm so glad you're here.

    Well, hello everyone. Thank you for joining us in on our first ever crop stories podcast episode. This podcast will act as our audio companion to Utopian Seed Projects Crop Stories publications. The Crop Stories program was designed to kind of creatively share the stories that connect people and places through food and seeds through a crop focused journal. And so through the journal, we hope to kind of continue bringing folks together around stories and personal reflections, to sort of highlight these crops and their people. And now we have the goal to expand this, expand people's interactions with crop stories through audio. And so each crop stories journal will now be accompanied by a podcast season that features the written pieces from the publication as well as a deeper dive into them with an expert in the field. Through this podcast, we kind of hope to inspire folks to become more involved in the crops that we cover and to read the journals in their entirety. We also aim to offer another way to connect with the crop stories program through this podcast and extend the interactions that people are having with these stories. Today, we are joined by the incredible and renowned seed steward, founder of the cooperative, owned Southern Exposure seeds company, Ira Wallace. Miss Ira is a writer, esteemed gardener, heirloom expert, humble leader, and has a big heart for southern food and seed. It's an honor to be with you today, Ira. Together, we will begin our deep dive through the collards edition of Utopian Seeds Projects, Crop Stories journal. Miss Ira will be our resident collard expert as we listen in to the authors reading their own excerpts. In each episode, Ira will offer her reflections and thoughts on the topics at hand, and we will have a discussion around the piece afterwards as well. So thanks for sitting down with me, Ira. Before we begin, is there anything you'd like to share about yourself, your work with collards or the Crop Stories program as a whole before we get started?

    Ira  

    Well, yeah, a little bit just to say that I live at Acorn Community Farm, an intentional community and the home of Southern Exposure. And it is through my work with Southern Exposure Seed E xchange and the early years of working with Monticello on heritage harvest festival for 12 years that I was reached out to about this collection and many other amazing southern varieties and crop types. So it's so important connections and spreading the word about fabulous southern food.

    LuAnna  

    That's perfect. Yeah, that's exactly what we came to do today, is spread the gospel of these southern crops. Well, Miss Ira. I can't thank you enough for joining us. Our first collards excerpt that we're going to feature is actually Chris Smith's piece titled the heirloom collards project. This is a really great introductory piece to the collards crop stories as a whole. So I'm excited to kind of do this piece alongside our introductory episode. So to get started, we're going to listen to Chris's together as he reads through his words

    Chris Smith  

    The Heirloom Collard Project, written and read by Chris Smith. The classic greens of the South are mustard, turnip and collard. I’m not a massive fan of mustard greens, definitely favoring mustards of the whole-grain persuasion. I don’t mind turnip greens, although I prefer the roots, sliced thin and fermented.  But collards ... collards are a magical green. I haven’t always known this. In 2017, at Monticello’s Heritage Harvest Festival, Dr. Sarah Ross of the Center for Research and Education at the Wormsloe Plantation historic site in Georgia and Ira Wallace of Southern Exposure Seed Exchange (SESE), dragged me into a conversation about a large U.S. Department of Agriculture (USDA) collection of heirloom collards, more than 90 varieties. Tor Janson, formerly of Seed Savers Exchange (SSE), was the other person at the table, and Ira and Tor had already been working to request and grow varieties from the USDA collection.   The aim was to take this beautifully diverse collection of collards; grow and evaluate them; regenerate seed stock; and offer them through seed catalogs so everyone could enjoy them. Soon after this meeting, we created a website (heirloomcollards.org) and an official name, The Heirloom Collard Project.   But the collards had a story way before I took an interest.   In 2016 Ira traveled to Charleston, South Carolina, where Dr. Mark Farnham, a USDA geneticist, was running an observational trial of all the collard varieties in the USDA Collection. Ira describes rows and rows of beautiful collards in all sorts of plant structures and colors and combinations. “It made me feel like we needed to make a commitment to regenerate these varieties and make sure they’re available to future generations of gardeners and farmers,” said Ira in a video about the project. Shortly after visiting Charleston, Ira reached out to Tor at SSE, and they started dreaming of how to bring these collards back to the people. Now, some of these varieties are available through SSE and SESE, and more seed regeneration work is underway.   But again, the collards had a story before Ira got involved.   Ed Davis and John Morgan, professors of geography at Emory & Henry College in Virginia, spent large chunks of the early 2000s driving around the backroads of North and South Carolina. They were searching for collards and are the people largely responsible for the USDA’s impressive collection of heirloom collards, which inspired the work of The Heirloom Collard Project. In 2015, they published Collards: A Southern Tradition from Seed to Table. This impressive book led Ed to Ira, and Ira to the collards.   But the collards had a story before Ed and John started searching for them. They acknowledge as much in their book, writing “contemporary Southerners owe much to the collard lovers who came before us — the cooks who developed and passed down over centuries so many delectable ways to prepare collards. We also owe  hanks to those pioneers of the garden who did the work to develop the collard plant to what we know today.” It needs stating explicitly: We owe thanks to the enslaved African Americans who, robbed of their freedom and their homelands’ foods, adopted the collard and integrated it into gardens, kitchens, and therefore Southern foodways. This isn’t written about in the culinary and agricultural texts of the 1800s because enslaved people were forbidden from learning to read and write, but evidence of their influence shows up in the way food is cooked and the early cookbooks written by white women.   At the beginning of 2020, Norah Hummel and Phillip Kauth of SSE, Ira Wallace, Melissa DeSa of the Florida-based nonprofit Working Food, and myself came together and launched a nationwide collard trial with 20 heirloom varieties. Hundreds of people across the country grew a random selection of three varieties, and eight larger trial sites grew all 20. With all that collard energy, 2020 ended with a weeklong video series focused on education and celebration around collards, now viewable at heirloomcollards.org/ collard-week-2020. The collard trials (and enthusiasm) overflowed into 2021, with overwintered collards and seed saving activities, and grant funding from the 1772 Foundation that allowed us to host a Collard Visioning Meeting in Asheville, North Carolina. Knowing that the collard story is way bigger than ourselves, we brought together an incredible group of collard-loving people to discuss the future of The Heirloom Collard Project. It was an inspiring and beautiful weekend, and many of the ideas are already weaving toward reality. Working with seeds is always an important balance of honoring the past while looking to the future, and as we dream forward, it is clear there is much work to be done. The Heirloom Collard Project aims to reconnect the seeds and culture of collards through food and community, and we want many more people to join that community. Or, as Ira wisely and simply stated, when talking about the collard collection, "You can grow some, and you  can eat some, and then your  commitment will be sealed."

    LuAnna  

    So Ms, Ira, would you please just share your initial response or reflections to this piece, like, what were you thinking about as Chris was reading his own reflections on the heirloom collards projects, but also talking about you and the work you've done. How did it feel to kind of just hear this spoken word about it?

    Ira  

    Well, I felt a little humbled, because this was, you know, a personal enthusiasm that suddenly a large community is forming around. And this was just the little the center of the road. But, you know, we knew Michael Twitty, and he spread the collard word, not through just the things that we did, but other activities he was involved with, like at Old Salem and in the neighborhood there getting local varieties and that that, you know, the first variety that was regenerated for the project was in that area by a group of African American sorority ladies. And it just like all these memories came rushing back, I was amazed, because people, everyday people, saved these seeds, and they were on the brink of extinction, because so many less people garden, and even less seed saved at this point, and our small group and reaching this information and samples of the seeds out to a wider group, hit on something, like it's kind of like collards are the poster child of the African diaspora, and it has also speaks to white Southerners. It was one the food that, in hard times, kept people healthy and fed. So I don't know. I'm going pitter patter, yeah.

    LuAnna  

    No, I think, I think that's beautiful, and you're onto something there. And, yeah, it's interesting to kind of hear how thinking of these benefits of this project, right? It's honoring these seeds, these legacies, this black culture and stories. So one question I have for you, like those things, obviously, but more explicitly, like, why do you think it is important, or was important, to kind of regenerate and make the USDA's collection of heirloom collards available to the public. You were saying, you know, they were going extinct, but really, like, the USDA has this collection of collards that are sitting there and so, yeah, just kind of, if you could expand on why, why you think it's important to the work of collards, but other crops alike.

    Ira  

    I think it's important because if we think that food sovereignty, that farmers having more agency in in their work, and not just growing what the contract for a supermarket says or something that having things that cause people to want to maintain these seed saving skills and maintain a wide diversity, genetic diversity that is selected just for a certain kind of climate and a certain taste palette, that this collection is an opportunity to showcase this important, healthy vegetable, and to look at have people who say, Well, I'm not a farmer, or I don't really be a seed saver. You don't have to save everything. And even in the days when people saved a lot, most people only saved a few things and they bought the rest of their seeds, but the things that they saved really mattered to them. They like the flavor. They grew exceptionally well for them, and this the genes in collards are the same, like in broccoli and cauliflower and these that whole family, you know, for example, having nematode resistance, which some collards have shown, is there. And when we save them for their flavor, we're also saving all of these agronomic characteristics, so it's just exciting, and it reminds me of my grandma.

    LuAnna  

    I love that. Could you kind of, I have some other questions for you, but just pausing on this thought of your grandma, what the first memory of your grandma and collards, and what is it reminding you of her doing?

    Ira  

    Well, she had a patch of mixed greens, but the collards, the the turnips and mustard, were mixed together, and you just either picked a mix or separated them by the way they look, but the collards got big, so they were on the edge in their own section, and we would have on the weekends them at least once. And it just reminded me of the kinds of dishes that I grew up eating, and they were also easy to harvest because they're so tall and big and yeah, that, I guess that was what it was with her, and being in the backyard where we had fruit trees and a garden that had to be shaded in the summer to keep producing, and it was shaded on the south side by pecan tree, but it would get nice morning sunlight even in the summer. I guess that's it. And you know, she didn't just garden. She cooked really good.

    LuAnna  

    Wow, that sounds magical. Well, thanks for sharing that. I love to kind of sit with the pictures that you're, you're drawing. It kind of puts it in perspective this connection that you have to this food. I have a question regarding your quote that Chris used in his piece, you stated you can grow some and you can eat some, and then your commitment will be sealed. This idea kind of suggests a direct connection to food, right? So if you could just share a little bit more about how does growing your own food, even a small amount, change your relationship with that crop, and how does seed play a role in its relationship as well?

    Ira  

    Well, I think growing successfully even a little bit of food, people take pride in it, because we kind of joke about those $10 tomatoes you grow, but you just bite into it and it, the juice goes down your arm, and it's really amazing. Or you can have collards. You can have them when they're young and tender. You can have big ones so you can make collard sandwiches with them. You can, you know, have have a diversity of a crop that is easy to grow. I think that when people make a recipe the way that your grandmother made it for the holidays or something, that it it's not just flavor, but it's the memories of all the happiness and fun in the family that was happening when you were eating those things as well. And there's things like, you know you're gonna do southern peas coming up. And there is nothing like a fresh shelled pot of summer Southern Peas. It just isn't like what you get in the store. So it's kind of like fresh off corn in the cob. Fresh pit is just carried up to a higher degree of tastiness. I forgot what you asked, hahahaha.

    LuAnna  

    I love it. I mean, you definitely were touching on it, this idea of, yeah, how growing your food changes your relationship with that food. I know a lot of people always ask me, like, how do I get into seed? You know, how do I get into this work? And it's like, just find one food, just one thing, one crop that you love, even if you don't know how to grow it yet, and then figure it out and hone in on it and then save the seed. But yeah, I was just curious how seed plays a role in this relationship to our food and crops. And I think you you answered it, but if you have any other ideas around, yeah, how to use our food as like a source of inspiration for seed work, I think inherently, it is, but yeah.

    Ira  

    Well, the other thing with growing some of your own food is you can grow special things like herbs or things like uh, hibiscus sabdariffa, Roselle, and making a drink out of it. And a small area can bring you something very special and unusual, and you don't have to, you know, have a half acre for that to happen. Some people grow them in pots.

    LuAnna  

    Yeah, it's good to put that in perspective, right? Like you don't have to be this massive farmer to have this connection to growing your food. I have this other question kind of related to the heirloom collard project, just thinking about the benefits of this project and projects alike, these type of collaborative approaches to seed preservation and education around food and crops. What do you see as a benefit of other projects kind of going towards this more collaborative approach to preservation?

    Ira  

    Well, it decentralizes it. It makes it that when something happens, like what's happening with the government now that a lot of programs are being defunded, but if actual everyday gardeners and farmers have taken seed saving, at least on a small scale, into their own practice. It can continue that work no matter what happens with institutions. And I think that's important, because the reason that this collection was there is because these older seed savers had continued to save the seeds even when it was no longer fashionable. So I think there's that, and it allows young people, because a lot of the people who are involved in adjacent projects, or school gardening projects or community gardening projects, where young kids to high school kids are growing collards and selling them or providing them for their school lunch programs and things like that.

    LuAnna  

    Yeah, totally. Going back to what you said earlier, to kind of end on this idea of food sovereignty and moving towards more a decentralized way of being in this food world. What kind of projects do you see forming and to kind of uplift the work of food sovereignty around specific crops in the south, or just around farming and seed preservation in general, for us to reach this goal of food sovereignty in the South.

    Ira  

    Well, you know, having people have the basic skills to save at least simple varieties. I mean, collards are good because they're biennial, but in the southeast, they can be left in the field. So you don't have to store them. But people store them successfully. You know, all of these Midwest people who are getting and upper midwest people who are getting into the collard project, and they think it's worth bringing those in or put them in space in their greenhouse work, but here in the southeast, we don't even have to do that. We can have them outside in the field, and it gives us something that is a late winter. I mean late fall, early winter, and then early spring, harvestable crop to sell. Know a guy in Maryland, Brosco, who we called him the king of the winter vegetable in DC area. And he would have 30 acres of outdoor greens of various sorts, and be able to have been selecting for winter hardiness, and be able to supply all these restaurants and produce markets and farmers markets. That's something that you know, he's on a big scale, working with a lot of college interns who spent any of them continue to be gardeners or farmers after they worked with him when they see it's possible. And he did his seed saving for these more cold adapted varieties, for growing outside. There's just so many things about not just eating, but also, the variety allows the small farmer to have more beauty and diversity in the way their market stands look. And normally, you know, a single shopper would only buy one kind of one bunch of collards or two. But if you have three, but three different, really distinct looking ones, they might just have to have one of each. So, and that is something that you don't have to be fancy to have control over as a farmer.

    LuAnna  

    And yeah, thinking about, you know the heirloom collards project, and where it's going, right? It's doing all of these, there's so many different collard projects popping up now. It's obvious people love, love collards, and they carry such a weight, especially in the southeast. I guess, what are your big dreams for collards? And where do you hope to see it, you know, kind of go and also, how do you think people who maybe are obsessed with a crop that isn't as renowned or well known or loved in the southeast, yeah, how would you suggest someone kind of doing some sort of collaborative project, like the heirloom collard project, on a on a, maybe a smaller scale, with a crop that isn't as people are, as passionate about?

    Ira  

    Well, sometimes in the early days of my working with heirloom tomatoes, it would be taking them through a whole thing, having a variety of heirloom tomatoes on your at your market stand, but the next year, having seedlings of some of those varieties as well available, having ones that are good for different culinary purposes, a sauce one, one that's good for drying and so forth, and having information available, doing projects with school children, highlighting those what you consider in important varieties. And you don't have to have, you know, 40 different ones. You can have three to five different okras that are distinctly different looking. And share a lot about okras and how they how they are at different stages, and share recipes, for example. Or you can bring something that isn't as common but was common when I was growing up, like butter beans, or, you know, and you can have little baby butter beans. You can have big, giant Limas and ones that are really nice when they're green, some that are more for letting mature and dry and making soup in the winter. And the thing, as any kind of a food person, you're you're selling something to eat, but you're also selling a story, and sometimes a time and a place that doesn't exist, but was important at one time.

    LuAnna  

    One word that's stuck out while you were talking was this idea of diversifying, right? Always better to diversify, and especially when you're you know, starting out these projects or starting out with a crop, diversifying the genetics, diversifying ways you use it, yeah, definitely carrying that idea with me. Miss Ira, is there anything else you'd like to share kind of in relation to Chris's piece before we wrap up our first episode of this pilot podcast?

    Ira  

    Well, yeah, one little thing is one reason that Chris, you know, mentioned that collards were something that weren't written about the African American enslaved people who did a lot of the early selecting and learning how to cook with these greens that made it such a staple in the south. And when we think that, why wasn't this vegetable more widely spread, and part of it was the thought that it was for poor people and black people. And now we can say the fact that it grew in such trying circumstances in marginal gardens to be something that kept people healthy in really difficult times. Is a reason to, you know, bring it in to making your garden a place for growing healthy food in these times.

    LuAnna  

    Yeah, thank you for bringing that up. And yeah, it's interesting just reflecting on my own childhood, you know, I similarly ate so many collards, and to this point of, like, going to school and like, people not having that experience around me and feeling pushed back on. Oh, I, like, other people aren't eating this. I don't want to eat this as a child. So thanks for sharing that. I think it's really important to, yeah, reflect on those relationships, and to acknowledge the cultural impact of collards for black people and the way that it was used as a tool to belittle people. And now just sitting here with you and getting to do this podcast and talk about, I'm like, giddy over it, almost this just how powerful, and hear you share your thoughts around it. 

    Ira  

    Remember that $64 dish of collard casserole that you could order from Lehman and Marcus when the collard project first started, I was like, I guess you got to do it to have everybody be able to have some, the people who spend too much on food, can eat some too, hahaha.

    LuAnna  

    Hahaha, that's right. Well, I'm excited to, you know, get to listen to the rest of these collard pieces with you to see what else we chat about and the input you have to share. Miss Ira, I can't thank you enough for sharing your thoughts today and joining us on this season of the Crop Stories podcast and being our collard expert, you really are. And so next episode, Miss IRa and I will be diving into another excerpt from the collard magazine. So thanks for listening and thank you, Ira, for just being with us today.

    Ira  

    Thanks for having you do such good work with seeds and support our love for heirloom collards.

    LuAnna  

    Thanks for spending some time with us in the crops we love. Every seed we save and every story we tell helps shape our food system into something deeper and more resilient. If today's episode sparked a bit of curiosity, please share it with a friend or fellow gardener, and if you're able, head to our show notes to become a monthly supporter via our crop stories, donation link. Your contributions help keep this project going. Thank you, and until next time you.

  • LuAnna  

    Welcome to the Crop Stories Podcast, where we bring the pages of the Utopian Seed Project's Crop Stories publication to life. Based here in the mountains of Western North Carolina, we're on a mission to strengthen our food system through the power of agro biodiversity and the relationships that sustain it. Our Crop Stories Program helps achieve these goals by connecting people to specific crops and their stories. If you believe in a more resilient, storyful future, consider supporting us as a monthly donor. You'll find the details in the show notes, and again, welcome to the Crop Stories Podcast. I'm LuAnna, and I'm so glad you're here.


    LuAnna  

    Hey, y'all, thanks for joining in to listen to our second Crop Stories Podcast episode hosted by me, LuAnna Nesbitt. Again, this podcast season will act kind of as our audio companion to Utopian Seed Project’s Crop Stories Collards publication, and still features our wonderful co-host and collard expert Ira Wallace. How are you doing, Miss Ira, how are the gardens looking for y'all at Acorn now that it's May and Spring is in flux?


    Ira  

    Well, it's nice. We had some good rain, and things seemed to double in size overnight.


    LuAnna  

    That they do. Yeah, I feel like all of a sudden everything is happening. And I don't know, I always get this new Spring, like passion for life in general, but it just feels really nice to have leaves on trees and plants in the field. How are your collards looking?


    Ira  

    They're small because we were quite busy earlier, and the spring collards aren't really anything except for eating, a lot of insect pressure. So we try to have July not have any brassicas above ground. And so we'll just have a small crop of spring eating collards. And we just finished our winter over ones, so we shall see.


    LuAnna  

    Well, thanks for the collard update. Yeah, ours are, our collard seed crop for this spring is it's looking a little it's looking good, but it was a little sad because the deer have been really intense this past winter. Well, today we're going to be focusing on Dr Mehmet Oztan's piece titled Grief and Growing Turkish Collards, An Immigrant Seed Saver's Story of Cultivating Connection. And I'm really excited to debrief this one with you, Ira, and hear some of your thoughts on the themes at hand. I feel like it brings up a lot of things around immigration and sense of place that feel really relevant in the current state of the world. So should we get started? Yes, absolutely.


    Mehmet  

    Grief and Growing, An Immigrant Seed Keeper's Story of Cultivating Connection, by Dr Mehmet Oztan. When I think of Trabzon, I always think of my father. When I think of Trabzon, I think of collards. My father was born in this Turkish town on the coast of the Black Sea. In 1972 as a forestry professor, he returned to his home region, the Karalahana. The Turkish term for collard greens, had been celebrated for 1000s of years. The word lahana in Turkish comes from the Greek word lahano and means vegetable. Kara is dark. Karalahana leaves and stems are used in a variety of phase from pickling or stuffing to soup in Trabzon. In 1986, my family moved to the Turkish capital Ankara from Trabzon. I was only six years old when we left. Yet some of my most vivid childhood memories involved the food I had there, particularly fresh anchovies and huge, ground Trabzon bread with butter from cows that graze the region's Highlands. However, despite Karalahana's significance in the regional kitchen, my mother wouldn't cook Trabzon's two staple meals, collard soup and stuffed collards, perhaps because she isn't from the region, and she found the dishes enhanced with lamb fat to be too heavy for her palate. My father didn't ask her to fix his regional delicacies, but showed his dedication to his birthplace in other ways. My father dedicated almost 30 years of his professional life to Trabzon, the blacks region and their people. As an educator, He taught his students how to connect respectfully with nature and preserve the breathtaking forests of the region. He died in his sleep from a heart attack in 2003 working on a landscape project and far away from us. I'm still very angry and frustrated for not having a final conversation with him before he left this world. When I became a seed keeper after I came to the United States as a graduate student in 2006, I realized how my father's relations with trees, flowers and people influenced how I steward the seeds of my homeland. I was living in Tampa, Florida at the time, and I didn't, still don't, have access to Trabzon's, traditional bread or to fresh anchovies. But soon after my arrival, I found out that collards are culturally important for black people in the US South. When my parents in law from Monroe, Louisiana, throw a party for me and my partner in 2011 to celebrate our marriage, I was amazed to find out that the plant thrives in the region, just as it does in the different climate of the Black Sea region of Turkey. Not only that, corn bread and collards were paired in the south the same way they are in Trabzon. I began thinking about how seeds and fruit can connect people and places of different cultures 1000s of miles from each other. That motivated me to grow the seed when I visited Turkey last November with my mother and brother, I went to the Ankara restaurant zigana, which specializes in the Black Sea region's traditional food. I specifically ordered collard soup and stuffed collards. I marveled again at the fascinating similarities between food traditions of the Black Sea region and US South. Some ingredients native to the western hemisphere are used in dishes in both locations. The soup has barbunya Bean like the Pinto, kolkota, hominy corn, sweet red pepper, bulb onions, tomato paste and chopped collard greens. Individual collard leaves are filled with ground veal or beef, a combination of hominy corn and bulgur or rice cooked in bone broth and butter and served with yogurt on top. Beans, corn, peppers and tomatoes were only introduced to Turkey a few 100 years ago through settler colonialism and trade, but the regional cuisine of the Black Sea region, like in other places, with old food traditions, quickly adapted to these new ingredients. I wasn't very familiar with either Karalahana dish I had at zigana, which seems contrary to how strongly I feel this plant connects me to my father. Living in the United States, very far from my homeland, hasn't been easy. If you don't find ways to cope, being an immigrant may mean being forgotten by your own people and the place that gives you your whole identity when you lose touch with them. When you are away from your homeland, people you know die, language and culture transform, friends get married, your family ages and you can easily become a stranger to everyone. My seed keeping work in which I propagate and distribute mostly Turkey seeds that are rarely commercially available there or in the United States, is an effort to rebuild biodiversity. But I also have selfish reasons to be a seed keeper, to lessen my distance to my people, land, culture and memories. Seeds help me keep my proximity to all the things I don't want to forget through stories, flavors and recipes. Since my partner and I co founded our Seed Company, Two Seeds in a Pod in 2013 I have introduced more than 100 seed varieties of my homeland to the commercial seed market. However, despite all my interest in saving seeds from Trabzon's Karalahana, in almost 10 years, we have never been able to offer them in our catalog, either when we were in Florida or after we moved to West Virginia. Bad timing, farmers fatigue, neglected seedlings, high humidity at the time of seed maturity, something always kept me from fulfilling my role as a seed saver. I had to repeatedly source the seed from a gardener friend who lived in Istanbul until two years ago. I've often wondered, as I introduced scores of Turkish grown eggplant, okra and other vegetables, whether my failure in saving enough seeds from my crops sustained my successive plantings is deeply rooted in my emotions, particularly my frustrations about my father's sudden death and my desperation to reconnect with the plant and place I strongly associate with him. In 2022, almost a year after we built our greenhouse on our farm in Reidsville, West Virginia, I finally have a small but vigorous crop of Trabzon's Karalahana growing inside the greenhouse. It successfully weathered winter's low temperatures without heavy frost damage, a process that will stimulate spring flowering and summer seed production. I will never know whether my father liked Karalahana, ate it at restaurants, or if his mother ever cooked it at their home. We never ate it together. What I do know is that after almost a decade of struggle, growing seeds of this resilient vegetable, season after season, keeps my memories with my father alive. I can only hope that the growing will ease my grief. Sometimes the thing you most want is so out of reach.


    LuAnna  

    I adore that piece. I think it says so much in such like a, it's not necessarily a simple story, but it just feels so like familiar, probably for a lot of people, whether it's just from moving out of your home state, or whether it's, you know, leaving your home country. And I can't imagine what that feels like. But yeah, I'm kind of curious what your reflections are, Miss Ira about hearing this and yeah, just how you've kind of observed similar instances within families and communities of your own. Yeah. How are you feeling after listening to this piece?


    Ira  

    It made me think back to my grandmother, and, you know, sharing the garden with her, and whenever we have fresh young collards coming up in the fall. It's like she's standing behind my shoulder, looking. When he mentioned, you know, the stuffed collards, when I was young and my dad was stationed in the military in Fayetteville, North Carolina, near Robeson County, where the Lumbee tribes are, and we would go to this collard san, collard sandwich event every year. And whenever I have something like that, it just takes me back to that time where something so simple and fresh everybody was anticipating and enjoying together.


    LuAnna  

    Yeah, I love how food I think that's why everyone you know has their own connection to food. But I think why a lot of people have such strong connections to food is because it does take you back to your tradition, your family, or whatever it is, just sweet memories for a lot of us. I had the opportunity to get to try the collard sandwich, and it was just interesting, like it was phenomenal, delicious, loved it, but it's crazy to get to experience a food that you grew up eating in such a different way. And in Mehmet's piece, I feel like he's calling to that, like, you know, moving here and like, getting to experience collard, but still, I feel like you always have that I don't know the the connection to the way you ate it growing up, despite maybe other ways being more whatever glamorous or correct whatever way you ate it growing up, is, feels the most connected to you. Well, thanks for sharing that. Another question I had for you was around just this idea of like cultural heritage and connection to place. Mehmet sees his seed work, seed saving work as a way to kind of lessen his distance from his homeland. I think a lot of us feel that when we don't live in our in our original homes. So this feels, I don't know, in our current world, extremely relevant. And this idea of seed work giving people a place, a home, when maybe they aren't in that space, and I'm just curious how you how you see that cultivation and you know, sharing of specific plants and foods kind of act as this bridge to our cultural heritage and identities, especially for those who are immigrants or refugees, like, how? Yeah, how do you see this cultivation being a bridge for people? And maybe you could share about your own experiences with it. I don't know, but yeah, just something I'm thinking about.


    Ira  

    Well, I came into the seed saving movement through the seed savers exchange in the 80s and 90s, and a lot of the people who were donating seeds to the collection were immigrants from Europe and their children, but as we came into the late 90s and moving into the 2000s immigrants from all over the world who had resettled here started becoming a part of the seed saving movement and bringing more of a diversity of seed and in some cases, people I work with would reach out to the USDA seed bank for seeds that have been brought to this country from their country where it was no longer as readily available because of war and things like that. And, for example, various greens from Vietnam, yeah, I and I later got back into meeting people who were doing work about how the Southern cuisine evolved, and that goes way back to the slave trade, and how that the details of that history were interrupted by slavery, but the foods, you know, in the low country, in the Sea Island, take Southern Peas and sort of reinterpret how collards got drilled into that because these enslaved people were used to dark leafy greens. I like the part where Mehmet talks, you know, about the history of the word, and this is literally dark greens. And maybe that's why that they became so important for the diet of African American people, both during the times of slavery and as they became free and moved about the country, and you can just see that migration of the collards and the dishes from them following the migrations of people.


    LuAnna  

    And one other question or thought I had was like in the essay Mehmet touches on this introduction of new world crops like beans and corn and peppers and tomatoes to Turkish cuisine. And I'm just curious like, how this integration of new ingredients impacts but also transforms long standing like culinary traditions and dishes that people carry forward. And are there similar examples that you could share regarding collard greens in the American South or other crops? Yeah, just curious about this thought of taking a long standing dish that's very important to a tradition and kind of integrating it with new ingredients and things like that.


    Ira  

    Well, beans and Southern Peas and peanuts kind of are like this. And part of the part of the south where I grew up. My grandmother grew up in northern Florida, up near Tallahassee in little town called Perry. And my great grandmother had grown up in the southern parts of Georgia, and they mostly grew Southern Peas, and as people now are reclaiming and calling them African peas that had come there and but they also met with, you know, I live near Igor city, which is the Spanish influence part of Florida, as opposed to Spanish people coming from Mexico, uh and all kinds of black beans were the, you know, beans of my childhood. And we would always have some kind of soup that is leftover beans. And when collards were in season, they would be one of the greens in them. But we also had fresh corn and hominy. Yeah, that was kind of special. I kind of get out of the habit of making hominy, but I've been thinking about for this bipoc gathering that we're having here to get together with my friend Amy Rose, and she has her native American way of making hominies. And we could have a hominy bar.


    LuAnna  

    That sounds amazing, and now I'm just hooked on this hominy idea. And what could you tell me, yeah, your traditional method of making it like, what is your recipe that you learned growing up in Florida? Like, what is it? I want to know?


    Ira  

    Well, we did them with my grandmother. Would make ashes and so the corn and, and that. And it worked pretty good. And it gave a special taste to it too. I think why I don't do it so much is, you know, you have to get wood and dry it out and, um, try it out and make the ashes, and she liked to use a little seed and kind of have them be the same size and get the big pieces out. And, you know, she passed away when I went to high school, so I sort of when I was at college, had to reinvent how I could do it, because I never really got the measurements and stuff, because she eyeballed it.


    LuAnna  

    Was there specific wood or type of tree that was used for, for the ash, or was it kind of just whatever you had on hand?


    Ira  

    I think it was what we had on hand, you know, and I, and I haven't, actually, you know, research, that wasn't so committed to doing doing it from wood. But since I met Amy Rose, and she likes to make it her traditional way, and she uses woods. Fast growing trees are often used, but maybe I will have to go to one of her classes and actually take the notes.


    LuAnna  

    That's very cool. I love hearing, I don't know, it's so funny how we got on this trail of hominy. You know, like these stories just bring up so much for people. So I'm excited to see what other people think about when listening to this. And I think that's a big reason we're doing this is hearing the voice and hearing someone share their story in that way is just so much different than reading it. Um, yeah. And the story, I don't know, there's a lot of like, emotive things happening in it. You sharing about your grandmother and, like, he kind of mentions the various use of the Karalahana seeds kind of tied to this emotional state for him. And I'm curious about, how can the act of you. Working with plants, saving seeds kind of be a form of therapy or emotional processing, yeah. How? What are your reflections on that? And then, what are some ways that you've seen people find solace and connection through gardening or seed saving after experiencing such loss, such as like leaving your homeland, or being forced to leave your homeland, or death, or whatever it may be.


    Ira  

    Well, I see gardening as being therapeutic all sorts of ways, because we get a lot of requests for donation seeds. And what's so interesting about it is, you know, there are veterans groups where people are using farming and gardening as a way to work out trauma from, you know, war torn places and but you have people who have this abilities, who are using working in the garden as a way to circumvent those and go and be something beyond defined by that limiting condition. You know, growing food and then cooking it and sharing it is another way to also overcome being separated by languages we have visited, like Habitat for humanity and the people there. And in addition to, you know, being sort of this project that's building homes, it comes, you know, out of a community that was welcoming to refugees of different waves of them through since the 50s and and with all of that is sharing the food and food traditions that people bring with them.


    LuAnna  

    Yeah, I think the just hearing like the various uses of Karalahana for Mehmet from like, pickling to soup, it was cool to see right, like, how this emotive state, this raw connection to food, can be carried through such varied recipes, varied things, whether it's just like a pickle or like a very intensive process of like, you know, making this hominy and like having specific ash, and it's cool to see that tradition and culture can be carried through such little things. I'm just curious, what are some unspoken ways that people who might not have, like, explicit connection to their heritage and traditions be able to connect with these traditions from their family, like, what are some little niche things that you've seen people kind of cling on to that maybe aren't as explicit?


    Ira  

    Understanding about the Appalachian roots that people in the mountain South love their pole beans and families hold dear to a particular October bean or greasy beans. And I think that is kind of a special thing, because you just don't have the fresh tenderness that you get with those beans that begin to fill and they still maintain tenderness, even when the beans are forming inside of them, when you think they'd be tough, and people still maintain traditions with the means of stringing them and making leather bridges, even though they're no longer necessary for survival, so that you can have that grandma soup in the winter.


    LuAnna  

    Yeah, and I like that. It's a crop that, you know, we have this pole bean, for example, that you're using. It's a specific variety, like, that's what the tradition is. And like, the process of canning it or whatever. But it's not necessarily the way you cook it afterwards soup or just like in a pot or whatever it is, fresh or canned or but it's more of the gardening and having this specific variety, and it needs to have a string, because that makes it more tender.


    Ira  

    Right? And you know, there's all of those sweet onions, like the vidalia ones, that you really can only grow in certain kind of soils and climates, and people go out of their way to start them in the fall and try to harvest them just at the right time, and they aren't even keepers. So you have to, you know, a lot fresh and late spring and early summer. And now that's something that is extra good with your collards too.


    LuAnna  

    Yeah, bringing it back to a place of collards, Mehmet describes this as being celebrated for like, 1000s of years in the Black Sea region. And I'm just curious, you know, to end our conversation today, like, what makes collard greens such a resilient and enduring food across such different climates and cultures. And then, in your experience, like, what are the most fun or versatile ways to kind of prepare collard greens that you've seen, or different cooking methods that kind of impact their flavors and such.


    Ira  

    Well there are two things that I kind of like that are recipes that I learned more as an adult because I grew up with the kind of long, slow cook collards, but I met a friend from Brazil in my young adulthood, and they introduced me to their style of Brazilian beans with garlic. You take cloves and peel them and make them really fine, and then you're with your collard why they kind of remind me of growing up is I grew up in the cigar making part of Florida, and this idea of stacking the collards and rolling them tight like you would a cigar and cutting them very thin so they can cook in like, you know, 10 minutes or so in a frying pan with that garlic that you just could put in until it's just it's turning golden, and sprinkle a little salt on it, and you're really good. And you can, you know, use olive oil or some kind of animal fat if you have because when I grew up, my grandmother would save all of the fat and use it to season greens and stuff like that. And then the other thing that I had and didn't have so much growing up is soups and stews that have peanuts or peanut butter as a part of it, one of those soups with a bunch of finely top collards makes an excellent lunch leftover soup.


    LuAnna  

    Yeah, I likewise, grew up with the slow cooked collards, and I've, one thing I've been doing is my friend showed me how she made hers with coconut milk. And so good, just coconut collards, and they're so easy, you know, like, saute some onions, add your collards, put it in with some little bit of soy sauce and vinegar, and then add your coconut milk, and it's just so good. But I still love my slow cooked collards too.


    Ira  

    When I was in Jamaica, they use coconut milk for a lot of things, you know. And it's not exactly what I had thought of is what that underlying special flavor and Jamaican food was, and they it's different, different times fresh. You know, coconut water from the coconuts when they had been fresh cut, and then thicker stuff that you put away for using later.


    LuAnna  

    Well, Miss Ira. I you know, to wrap up, you could share a little bit about what makes collard greens so resilient and enduring, but it sounds like we've kind of touched on a lot of those themes. But if there's anything else you want to share about, yeah, Mehmet's journey of collards back in his homeland and here and about what makes it, what makes collards so resilient across these different cultures?


    Ira  

    Well, you know, the collards tendency to be able to be grown in 10 months is, I mean, it can be grown in 12 months. It's just a little challenging in the southeast in the dark days of summer. But I think that that possibility of starting them most of the months of the year and being able, in a very short time, have greens that you can eat, and then having them be able to be wintered over in our climate so that it could give fresh greens all winter is one of the things that has made a special, special things and and the southeastern cuisine, and it grows in not very good soil, too. So I find that endearing.


    LuAnna  

    Yeah, collards, they're survivors, and I feel like they're always accompanied with such strong people too. They mirror each other in that way. Well, I've had a lot of fun with you today. Miss Ira. This has been a really interesting and cool conversation we've had. I feel like I have a lot to think about regarding my own ancestry and immigration and connection to food, and I'm sure others will too. So thanks so much for sharing your important insights and your own connection to collards in that way.


    Ira  

    Well, thanks for having me. I am enjoying going back and reflecting on the color journals and the many lenses through which people grow and eat and share collards.


    LuAnna  

    Yeah, I'm excited to keep doing this with you. So join us next episode, y'all. Miss Ira and I will be diving into another excerpt from the collards magazine and getting in deeper with another another story. 


    LuAnna  

    Thanks for spending some time with us and the crops we love, every seed we save and every story we tell helps shape our food system into something deeper and more resilient. If today's episode sparked a bit of curiosity, please share it with a friend or fellow gardener, and if you're able, head to our show notes to become a monthly supporter via our crop stories, donation link. Your contributions help keep this project going. Thank you, and until next time you.

EPISODE THREE: A Crop Stories Conversation with Ira Wallace featuring Dr. Mark W. Farnham’s piece, Your Quick Guide to Collards

Themes: Agro-biodiversity, heirloom, breeding, plant hardiness, variegated collards, blue collards, glossy collards, curly leaf collards, tree collards, perennial collards, seed breeding

  • LuAnna  

    Welcome to the Crop Stories Podcast, where we bring the pages of the Utopian Seed Project's Crop Stories publication to life. Based here in the mountains of western North Carolina, we're on a mission to strengthen our food system through the power of agro biodiversity and the relationships that sustain it. Our Crop Stories program helps achieve these goals by connecting people to specific crops and their stories. If you believe in a more resilient, storyful future, consider supporting us as a monthly donor. You'll find the details in the show notes. And again, welcome to the Crop Stories Podcast. I'm LuAnna, and I'm so glad you're here.


    LuAnna  

    Hello, everybody. Thanks for joining and again to listen to our third crop stories podcast episode. This podcast season will kind of act as our audio companion to utopian seed projects. Crop Stories, Collards publication. Thank you Miss Ira for being here with me today as our resident collard expert. How are things going for you and y'all at the farm, how's, how's the collards? Have they been impacted by the heat at all, or?


    Wallace  

    Well, they, we're watering a lot. This is the worst time of year for our collards. So the bugs are, you know, after a month so forth, and it's time for us to start new fall ones. We do three plantings and to catch whatever weather is just right for our fall ones to start, so in July, toward the middle to the end, we do one, and we do one beginning of August, and another about the third week In August, and one of them is so much better than the others. You never know which is going to be. Some people can have good success planning in September. Go figure.


    LuAnna  

    Well, that sounds really exciting. Yeah, we're we're getting ready to start ours too, in July, and it's an exciting time. You know, the it feels like you're getting two, almost two crops out of one season, almost, or something like, it's a fun thing to work with brassicas, because you can kind of do it twice in one year, instead of, you know, really just honing in on it once in a year. Absolutely. Well, that's really exciting. It's cool to hear how the collard patch is doing, considering that's what we're chatting about. As you know, we're going to be focusing on Mark Farnham's piece, titled Your Quick Guide to Collards, and I'm really excited to debrief this one with you. It feels like there's, I don't know it's different from the other ones we've read so far, which is cool. You know, we have each one is about callers, yet all of our discussions are so different. So I'm excited to hear what we chat about today. Should we get started and listen to Mark's piece?



    Wallace

    Okay, sounds good.



    Mark Farnham

    Southern greens, according to the USDA, include collards, kale, mustard greens and turnip greens. In their book, collards a Southern tradition from seed to table doctors Ed Davis and John Morgan support this definition, reporting that collards, along with mustard and turnip greens, are the top three traditionally cooked greens in the region. Within each of those crops, there is a huge amount of diversity, but that diversity remains largely unknown and under appreciated. Beyond specialty farmers and seed saving circles, the commercial collard crop is represented by just a few cultivars, and there is very little variation among them. Typical supermarket collards are described as bunching collards, because when they are harvested, single plants are cut whole and tied together in bunches. Their leaves can vary in color from a deep green to blue green, but are generally smooth, large and oval shaped with prominent petioles. The petiole being the stalk that joins the leaf to the stem. The most widely grown cultivar is called Top bunch, and it produces a plant with mostly upright leaves that bunch, well, when harvested beyond the commercial collard, there is a substantial variation among heirloom collards that have been grown and perpetuated by numerous farmers and gardeners in the southeastern states. You can learn more about these varieties at the website, heirloom collards.org, these heirloom collards are often classified or labeled by the seed savers who maintain them with names that describe their general type. The groupings primarily focus on plant habits, leaf characteristics and other observable traits. The following discussion provides a list of the more common descriptions or classifications for collards, one of the most common labels seed savers, mostly in the Carolinas, give to their heirlooms, is cabbage collard. This collard type typically doesn't form a cabbage like head for much of its life, but may form a loose central head if it is left to grow for an extended season. The leaves are typically large with significant petioles. A large number of cabbage collard heirlooms have a lighter yellow green color, a common variety name you will find, especially in eastern counties of North Carolina, is the yellow cabbage collard. A few heirloom collards are collard like in their early growth stages, but begin to form a leafy structure akin to a small, loose cabbage head. As the plants mature, these types are commonly called heading collards, and the heads of these heirlooms occur due to very shortened petioles, or even a near lack of petioles, that causes developing leaves to curl into a heading structure. One example of this type of heirloom collard is called William Alexander heading collard. Some collard heirlooms exhibit a shiny leaf appearance, and these collards are commonly called glossy or glazed collards. Glossy characteristics occur due to gene mutations that control waxes that cover leaves. In general, a glossy or glazed leaf usually exhibits less wax on its surface than normal leaves, and this results in the glazed appearance a common heirloom that falls into this group is the green glaze collard some seed savers have maintained collared heirlooms that have highly serrated leaves, much different than most collards. And these heirlooms are often described or classified as curly leafed the degree of serration can be subtle or particularly pronounced in varieties that more resemble kale than collards. One example of this type of collard is called the crinkle leaf collard. Several heirloom collards grow much taller than typical collards, obtaining a small tree like structure over a long growing season, or a height that is at least taller than an average person, these collards can also survive multiple seasons in mild climates. Unlike most general collard types, these heirlooms, which are commonly called a tree or perennial collards, have stems that elongate more than normal, leading to their taller nature. For more information on these unique plants, visit the website, project tree collard.org, one example of this tree, or perennial type collard, is the merit tree collard. Collards can often be described or classified by their unique color variation. These color variations can occur in any of the previous types that I have described. Most color variations range from yellow, green to green to blue, green. Heirlooms that have a leaf hue that falls outside that spectrum are rarer and more atypical when these atypical colors, for example, purple or red, are exhibited, seed savers often incorporate the color into the name of their collard colors can also exhibit in the petiole the leaf veins, as well as in the leaf itself. One well known example of this type of collard is the old timey blue collard.


    LuAnna  

    I find this piece so fascinating. I think coming from not necessarily like a genetic background, but kind of making my way there and learning these things, I think it's really interesting to hear these perspectives. I'm kind of curious just what are your initial reflections and thoughts Miss Ira after hearing and revisiting this piece by Mark.


    Wallace  

    Well, when I first got into heirloom collards, I was introduced to them by color variation. The first one that didn't get mentioned as a type is the variegated collard. And when I was first given some and grew them, I didn't get the variegation because they need to be mature going into the winter in order to variegate as it gets colder. So that was a really fun one, and people, you know, comment on it, because it's so showy. So that was there and then, when I went to a southern SOG meeting in Birmingham, I got introduced to Blue collards, which I had not known existed at that time, and got my first sample of the Alabama blues. That was really nice that he mentioned the tree collards and that they need a mild climate. And it really is true. I've tried them any number of times here, and they just don't winter over outside here and Virginia, but they're kind of fun to see them get so tall, yeah. And one of his examples that William Alexander heading collards for a heading collard, I like to mention because it's that first one that was saved by the African American sorority sisters and some of it deposited in small ward. So not only is it a good way to remember that there are heading, semi heading type collards, but also to bring that group of African American seed savers in Winston Salem, because you go to these events and you see so many white people, you kind of forget that this tradition was carried on by African American people too. So, yeah, yeah. And Mark is so succinct in his descriptions to let you take a dance around the collard patch and his, he was the one who was maintaining the first collard patch that got me interested in the whole heirloom collard project.


    LuAnna  

    Full circle. That's amazing, to hear just about your experience with the different types of collards. I mean, I want to hear more about your experience with the variegated collards. And like, yeah, just tell me more about that, but also more about these classifications, like which one do you find the most surprising or interesting, or that you feel the most connected to, and kind of why?


    Wallace  

    I'll mention the variegated. The variegated came to us from Walt Charles's family in northern Florida, which you know you think of Georgia and collards, but you don't think of it right on the Georgia Florida border is still heavy collard country. And this seed saver. Walt Charles sent our founder, Jeff McCormick, seeds of this varrigated, and said that you need to be seed saving to get to see that characteristic. And it was a reaction to a lower temperature, not too low, because it's think it's a variety that's from northern Florida, but low enough and you get big splashes of white and yellow, white and. And they're just and they, of course, it's in the winter, so they're sweet and tasty as well. I forgot what else you asked?


    LuAnna  

    Yeah, I got to stop asking two questions. And one, I'm bad for that, so mark kind of introduces all these classifications. And I'm just curious which one you find the most fascinating or interesting or surprising. It kind of sounds like variegated possibly, but are there others out of these classifications that you find really interesting?


    Wallace  

    The blue colors are something that you know, I hadn't known about, and that I like, because purple is my favorite color, but they look so good just in the garden and they're, you know, different ones, some where most of the coloration changes in the petioles are in the leaf veins, and some where it's in the leaves themselves. And you can make a really pretty collard salad with with with them too, especially ones that are in the winter, that are just barely large enough to have reached adulthood, but not the dinner plate size leaves yet, so you can chef and on them and lightly marinade them in oil and vinegar dressing. And it's really good.


    LuAnna  

    Yeah, it is really good. I can attest. I love my collards like that too, just real soft and a little bit massage, kind of like kale. Going back to this point where you just mentioned how Mark was one of the first his collard patch was one of the first patches that kind of inspired you to get into this work of collards. And he, in the piece, describes heirloom collards as being grown and perpetuated by numerous farmers and gardeners in the southeastern states, just thinking about, what is the significance of that, of having all these different individuals maintaining plant diversity, and what kind of challenges might be might come from that, but also, what are the benefits that we get out of having multiple people kind of maintaining these collards and this plant diversity founded them.


    Wallace  

    Well, collards are in some ways easy, you know, as a biennial, but because they are a obligate out crosser. You, you need to have, if you want to have a lot of different varieties, you need to have a lot of plants grown at a distance, and traditional small farms were perfect for that. You know, you have one little farm and then another farm might be just a couple acres there, but it's enough distance that the collards would not cross, and each person could kind of save to the specifications that they appreciated. And it meant that not everybody had to think this was the very best. This one thing is very best characteristics to save for. And so when the seed saver movement that we're part of came along in the 60s, there was a tradition of seed saving that had been strongest, probably during and right after emancipation, when both small white farmers and newly emancipated Black Farmers were trying to feed their families, and this was something that grew well in the region and had a lot of diversity. And if you don't have so much diversity in your diet, having a crop that you know will do well, but having a. A purple one that you can trade leaves with someone who has a light green one is a nice thing, and it brought a lot of vitamins into a diet that was a little bit heavy on the carbs and fats. So, yeah, I think that if we're looking to have that diversity into the future that we might have to be more really planning it, because we we have a lot of people who, you know, have enough money that they can buy food from around the world. Yet. Unless you have sort of an ideological commitment to helping maintain genetic diversity, you might not think saving this one particular collard every year, so it is maintained in the area where it does well is quite worth it yet, but that's what we're doing with the heirloom collard project, is introducing people so they have The experience of tasting so many such diversity, and seeing it, and hopefully having enough people who think it's important that they save seeds of the same variety year after year, or maybe pick two or three varieties, and every third year, save seeds from each one so that they'll have it to pass on to their grandchildren.


    LuAnna  

    Yeah, I really appreciate the perspective you bring on just the historical context of collards and where these varieties really stem from, and the work that was done and who it was done by, I think it's really important to recognize that, especially when we're thinking about these the groups now that are, you know, keeping them going and propelling them forward, and in some cases, re diversifying these varieties. So thinking about that kind of beyond the characteristics mentioned in the piece, what are some other traits that you think are important for seed savers or gardeners that are getting into this when classifying or selecting these color varieties themselves. What are some things they should be kind of looking out for?


    Wallace  

    Well, we have a friend Roskell, who saves seeds for things that are winter hardy in Maryland, and he grows 30 acres of winter greens. And how he selects his brassicas is the fit survive and so, you know, he'll harvest all of them lightly, going up until Christmas, when that peak in price in the market is there, and then change over to growing just for a few of his restaurant customers, but the ones that are looking nicest in terms of plants, he marks those, and then in late winter, he puts them together so that they'll be close enough to mix with each other and and then he saves what he calls his winter bread varieties. And people can do these kinds of experiments where you have a market goal that you're selecting for, and then you're also maintaining the mother lines of ones that are just hardy, as Antonio Brazo might show, they might have these huge root systems. Ones more so than other ones. And if people weren't saving for hardiness, maybe those varieties might not have been selected because, you know, perhaps they're not the biggest leaf or the darkest green or something, but what they do is look spritely and keep making leaves when it's cold.


    LuAnna  

    Yeah, and that's a necessary. That's a need for collard eaters. You want that to be present, right? Is making me think about this idea of labeling heirlooms and how heirlooms kind of appear. So thinking about the cabbage collar, it's mentioned a lot in the article, this idea of regional adaptation. I would love to hear your perspective, because a lot of I've heard a lot of differing opinions on regional adaptation and how long it might take, and what you're saying, you know, selecting for this hardiness, it sounds like through that you're kind of selecting for regionally adapt and collards that can change within the climate and still be successful and productive and sprightly and good. So I'm just curious about your thoughts around regional adaptation, not only just collards, but other things too, like, yeah, just general thoughts about regional adaptation and what that means for for seed breeders and seed keepers?


    Wallace  

    Well, I think it takes both more time and less time than you think to breed something. You know, when I was first growing peanuts, we had this car wells Virginia that, you know, had to plump seeds all the time, and sometimes had three or four and we started selecting for the ones that had three or four peanuts, but there wasn't as much of that in the gene pool as what made plump peanuts. So you got a smaller percentage of nuts per cluster, if you were getting more peanuts in each shell, and sometimes someone else before you did a lot of work, and the characteristic you're trying to sort out pops up very quickly because it's prevalent in the gene pool. But if that hasn't been happening, it can be quite a long process. Mark says, you know, you need to grow, you have better luck if you grow and observe a variety and see what the natural variations are before you start trying to hone in on particular characteristics. That's That's why someone who's growing a lot of a crop for market and at the same time doing some farmer breeding out of that population is going to get results more quickly than someone who doesn't have acres of it there, like Frank Morton and his lettuces and stuff are because he's partners with another farm that sells a lot of lettuce mix, and If you don't have the population to select from you, takes a while to get anywhere.


    Wallace  

    But like I say, some people notice a characteristic that's very unusual, and if it turns out to actually be a dominant characteristic, they can spread it in the population pretty quickly. In these days, you know, we in the seed saving community, are trying to, past these basics about breeding and about record keeping, so that it's easier to know what is likely to succeed as a breeding project with the varieties that you have, and these things like the ultra crosses are a good opportunity to kind of look and see what genetic diversity exists in a population in your particular area.


    LuAnna  

    Yeah, that's really informative. I like hearing your thoughts around that, because I feel like this idea of regional adaptation is founded in truth, right? But just kind of wrapping our heads around how long and what work needs to go around it to really amplify its abilities to stabilize and make crops more resilient in the face of changing climates. So it's interesting to hear your thoughts on that kind of sticking to this idea around climate, how my changing climate and changing agricultural land use in the southeast impact these efforts on saving seed and maintaining these diverse heirloom collared varieties, and what adaptive strategies do you think could be enacted to kind of hold back the long term implications, or uplift the long term viability of these collard varieties. 


    Wallace  

    Yeah, you know, I mentioned when we're starting collards in the summer, we do multiple plantings to uh, to actually to get better collards for the table in the winter. And you can take that same strategy and keep track of what seed eels are like for the different plantings, because it doesn't it isn't always true that the one the collards, that are the biggest going into the winter, are going to be the best seed producers. It might turn out with according to how the weather is, that ones that were just barely mature enough to make seeds the next season are the ones that do best, because the smaller plants when They're big enough, like they have eight leaves or so, they often survive better than larger ones if the weather is any kind of severe. So looking at at those, well, I would say, you know, from talking to Brett Croswell, it's not that you are trying to do all of these things every year, but you have the opportunity to observe, you know which plants get big and maintain leaf production over the winter, or which ones, for example, are not that big in the winter. So they're not the best producers there, but they grow really fast in the spring. So you can get good leaf production and have a lot of leaves to support seed production as well. And over time, you can decide which of you know, which percentage of seeds of each of those types you're going to try to have in your winter mixture. And, you know, takes a long time to make a relatively uniform population.


    LuAnna  

    So, yeah, totally. And I think, like, you don't always want that uniformity. Sometimes you want some differentiation within your your population, just whether from enjoyment at looking at it or eating it, or whatever it might be. Yeah, that's really interesting. We were talking earlier about these perennial collards. Arts that were mentioned in the piece, and thinking about these, like multi season harvest and the potential benefits from that. Yeah, I'm just kind of curious, what are the long term benefits and challenges of integrating these perennial brassicas into our farming systems and your thoughts around that, I mean considering like maybe soil health or pest or whatever it might be, how do you feel about these perennial collards?


    Wallace  

    It depends. And my friend Pam Dolling decided to have one month of no visible brassica leaves in the garden at tonos where she gardened because there's just so many insect pests at that time of year that it's she thinks it's better to start A new patch, because you can keep them covered for the first, you know, six or eight weeks, and you've had that three or four weeks that you didn't have, that you cleared out all of the brassicas and so that can often interrupt these pest cycles. So that's, you know, one, one thing, but what it takes to be a perennial vegetable might be, I mean, in California, they have a lot of these tree collards, and they do well, but they don't get killed off by temperatures that much. So if you have an area where the like in the coastal Carolinas or Virginia, you northern Florida, where you have the weather with you, you could experiment and see if, if weather isn't doing these plants, and would they survive? And would they be able to survive the summer insect pressure. Possibly, I don't know how the farmers are going to do it, but you know, realizing this work, that there's so much difference in the root systems of plants, they might find that there's some that have better root systems and are more able to withstand the summer pressures. It's a mystery. But mysteries are things that keep adventurous gardeners going,


    LuAnna  

    Yeah, that's right. It keeps us curious and trying to figure out things. It keeps us active and focused on our crops, which is always important. Yeah, endless questions here around collards, I think that's why we're able to have a whole crop stories magazine and discussion around each one is because there are so many thoughts around it, whether it's like the cultural aspects or the breeding aspects or the growing aspects or whatever kind of wrapping up our conversation, I'm thinking about this idea of, like, romanticizing growing collards, and you kind of brought in this perspective of, yeah, there's insects, there's pests, there's all these things that I think a lot of people who maybe aren't in the world of working with these perennial collards or these other varieties and trying to discover the most hardy and best ones, going back to this idea of romanticizing instead being more like realistic and factual, and within that being more ethical Thinking of this thing around labeling and naming collards. I'm from the Carolinas, and I'm thinking of the cabbage collards, and what role community research kind of plays in accurately documenting and conserving these localized varieties, these localized, diverse mixes and the associated like knowledge with them. How do we kind of ethically highlight these and label these regional, regional things? How do you feel about that, and what do you see as the best practices around that.


    Wallace  

    Well, I think sharing as much information as you have is one thing, because a lot of them are named for someone who maintained it. But you know, you hear some description that started out with this was brought from New England to the Carolinas in 18 some year. Or this variety went from Oklahoma to Washington State at a certain time later, so that you have the things that the gardener farmer knows in particular, like who they got it from, but you have at least the arc of it came with a neighbor's grandfather from some other country even, and that helps you with also deciding if You're doing a little breeding project, what types of collards might have similar characteristics so you can cross and then let them segregate and perhaps have A higher percentage of that characteristic, and also with just when you're at seed tops and stuff, telling sharing the info about your project makes it more likely that other people will share details about the varieties that they're working with, how long they've had them, whether they mixed up several or they've tried to keep them pure. And I think that's good because it brings it closer to farmers and gardeners being active breeders rather than just maintaining. It's good. Somebody needs to maintain. So I'm not saying that that's not a good thing, but if we want to explore the edges of what's possible. Or if we're trying to grow collard in a climate that isn't the most supportive, then knowing which varieties did well in the edge, people who save seeds grown outside in New Jersey might have something you know to share With people a little further north than them. So keep good notes.


    LuAnna  

    That's a really fair assessment of how to get these conversations or keep these conversations going, and the keeping the lines of communication open, I think, is really important when kind of working with these varieties and trying to recognize the work that other people have put in and the history around that and that we are just a blimp in the moment of these colored lifeline lifetimes. So recognizing that too. Yeah, lots to think about there, and there's always more conversations we can have around just the ethics and what's right to kind of label and name these varieties and how to do so.


    Wallace  

    Yeah, I think saying why you stuck that name on there really helps. I was looking at a packet that a person sent me, and they said this person gave me this to share with seed savers, but they didn't want it to be commercial. So. You can share these in your seed spot work, but I prefer you not to offer it in your catalog, whereas other people are the opposite. They want as many people to have what they consider a fabulous variety as possible.


    LuAnna  

    Yeah, totally. I think that's where we right carry this idea of just honesty and respect around the seed and the people doing work around them. Yeah, that's really good. Well, Miss Ira, if you don't have any other lingering thoughts or ideas. I just want to say thank you for this really insightful conversation. It's been fascinating to dive deeper into these topics, the themes that Mark presented in his excerpt. It's really interesting to kind of, although it was a short excerpt, it's there's so much to talk about within it. And like I said earlier, despite our conversations just being focused on collards, each discussion has been so different and highlights many varying aspects of collards and what it means to work with them. So I'm just excited to keep these conversations going and see what we can chat about next time.


    Wallace  

    Yeah, have you ever been to that demonstration garden at the a rack in Charleston. 


    LuAnna  

    I have not, no. 


    Wallace  

    Yeah, I don't know why. I didn't think of it when it was happening, but they grew a bunch of the Davis Morgan collection last year and had a big open house in the fall for people to come see them. And I was getting ready to go when I thought of, oh, we should have been blasting this over the collared network, because it was seeing one of those demonstrations that got me excited. 


    LuAnna  

    Wow. Yeah, that sounds really interesting. Next time I'm out that way, I'll have to maybe stop by and see it, if it's if they're still active or doing something in the fall. That would be cool. Yeah, I think just getting the word out about the different projects and how people can get involved. And I like how it's kind of like a choose your own adventure. In some ways, you're able to kind of whether you have a history with collards or not. You can kind of figure what you like and or take insight from the work of collards and put it towards another crop that you feel more connected to but yeah, I think there's a lot to learn from collards. I'm excited to keep learning and think about these things with you some more. Well. Do you have any other thoughts or ideas before we wrap up?


    Wallace  

    No, I think we're doing good.


    LuAnna  

    Me too. Well. Thank you again, so much for chatting with me and join us next time everyone for our next conversation around callers, I'm sure it will be as invigorating and exciting as this very fascinating conversation has been. So thanks for listening and thank you Miss Ira again for sitting with us and sharing your your opinions and thoughts. Really appreciate it. 


    LuAnna  

    Thanks for spending some time with us in the crops we love. Every seed we save and every story we tell helps shape our food system into something deeper and more resilient. If today's episode sparked a bit of curiosity, please share it with a friend or fellow gardener, and if you're able, head to our show notes to become a monthly supporter via our Crop Stories donation link. Your contributions help keep this project going. Thank you, and until next time you


EPISODE FOUR: A Crop Stories Conversation with Ira Wallace featuring Dr Edward Davis’s piece, On the Hunt for Heirloom Seeds in the Collard Belt

Themes: Heirloom seeds, seed saving, crop resilience, USDA, disease resistance, food security, seed donors, garden biodiversity, traditional farming, Southern Exposure

  • LuAnna  

    Welcome to the crop stories podcast, where we bring the pages of the utopian seed project's crop stories publication to life based here in the mountains of western North Carolina, we're on a mission to strengthen our food system through the power of agro biodiversity and the relationships that sustain it. Our crop stories program helps achieve these goals by connecting people to specific crops and their stories. If you believe in a more resilient, Storyful future, consider supporting us as a monthly donor. You'll find the details in the show notes, and again, welcome to the crop stories Podcast. I'm LuAnna, and I'm so glad you're here.


    LuAnna  

    Welcome everyone to another episode of crop stories, where we'll be listening to the utopian seed projects crop stories, and thanks for joining in again this season, we are focused on the beautiful crop collards, and joined by the lovely Ira Wallace as our co host and resident expert on collards. This is your host, LuAnna Nesbitt, again, good morning everyone. And good morning. Miss Ira, how are you doing?


    Wallace  

    Good morning. I'm doing okay. Not 90 degrees yet.


    LuAnna  

    Did y'all get your fall collard started yet?


    Wallace  

    Not yet, hopefully in the coming week.


    LuAnna  

    We just got ours started. So was just curious where you were at. We're doing a little bit of selection work around trying to get our ultra cross purple collards a bit more purple so, you know, over seeding them a bit and pulling the ones that we notice aren't as purple as the others. So that's been a fun little task. It's cool to get to have some crops that we're starting at this point in the season. Gives you something to look forward to. Well, that's good. I'm glad you're doing. Okay. Are there any interesting things that y'all have going right now or getting started?


    Wallace  

    Not really. This has been a year transition of the people who are working on the farm, so we're just keeping things going and not doing anything new, really.


    LuAnna  

    So well, that's fair. That's also equally exciting, having some new folks on the ground that you're spending some time with, getting them set up and ready. So I hope that's going well. We'll have to come visit y'all soon. Today, we'll be focusing on Dr Edward Davis's piece on the hunt for heirloom seeds in the collar belt. And I'm really looking forward to what you have to say about this one. Miss Ira as I believe it is pretty close to your heart this story. So should we just get started and listen to Ed's piece together?


    Wallace  

    Great. Let's go for it,


    Ed Davis  

    On the Hunt forHeirloom Seeds in the Collard Belt. Dr Edward H Davis. It was a cold January day in 2008 and I had driven the rural North Carolina back roads for days, and then I found what I was seeking in the yard of a modest brick home an unusual shade of bluish green. I pulled over and knocked on the door. Excuse me, sir, I noticed your garden as I was driving by. My name is Ed Davis. I'm a geographer, and I'm on a search around the southeast for seed savers. Your collards are different, aren't they? Smile. The man smiled and said, I've been expecting you. Levi Grissett, a 65 year old black man lives on the land where he was raised in Brunswick County, just 10 miles from the Atlantic Ocean. It's a great spot to grow collards. The soil Sandy, the winter is mild. I asked about his reaction. Oh, I knew these collards were special, and I figured one day somebody would notice you come on in, Mr. Geographer, and explain yourself over coffee. I explained that my partners and I were driving all over the region hoping to discover the remnant seed savers who had collared seed that dates into the past. Levi told me he was given the seed by an elderly neighbor about 40 years ago. He told me how he saves the seed every other year or so, Levi will save about a dozen collard plants in the garden, allowing them to last until the following June, having flowered in the spring, the collard being a biennial plant, they are pollinated by bees and then produce seed pods called celiques, and each plant can produce 1000s of seeds. US, Levi's collard is quite unlike the color that store bought seed would produce, because it has been maintained in relative isolation from the commercial form, it looks different. The leaves varying in shape with several shades of green and slight hints of purple and yellow. My discovery of Levi and his collar patch was part of a four year exploration project funded by the USDA. The US Department of Agriculture had supported that effort because seeds like those I got from Levi have unique genetics, which could help to breed new disease resistant varieties of collard, cabbage, broccoli, cauliflower, kohlrabi, Brussels sprouts and kale. Most people don't know this, but those seven plants belong to one single species, brassica or lorace, a for example, heirloom varieties often show resistance to a disease called black rot, which has been devastating cabbage crops around the world. Reading researchers tell us that crop biodiversity has been dangerously low, so finding unique varieties of brassica oracy will make the world's food system less vulnerable. This is an important scientific mission, and that's why plant geneticist Dr Mark Farnham, Director of USDA vegetable laboratory in Charleston, South Carolina, was on our team. He had been studying collards, cabbage and broccoli for years, and he knew the importance of diverse genes as a source of breeding disease resistance. He convinced us and the rest of the team of the need to save the last of these old varieties as a public asset. Bart told me, these old gardeners already cherished their stories, their history, and they want to preserve that. We just need to show them that they can leave a legacy that extends far beyond their family or their hometown. The seed donors, which we found and their average age, was 70 years old, often trace their seed back to their grandparents. Sadly, most told us that no family members were interested in seed saving. For one thing, far fewer people are gardening now than 50 years ago, my partner John Morgan and I surveyed 1000s of college and community college students in the southeastern states and found on average, 52% of them had grandparents that raised the vegetable garden, but fewer than 10% of them had parents that raised a garden. In another project, I used Google Earth to map home gardens in 20 different counties in the southeast, and I estimated that only about 5% of homes had a vegetable garden. We might note that during the covid pandemic, home gardening has risen significantly, but not enough to make up for the dramatic losses of the last 60 years.


    Ed Davis  

    Collard biodiversity was being lost. The seed savers, we discovered, were elderly and few. The tradition was dying out. This is partly because colored seed saving requires commitment. You must leave your collared plants in the garden all the way into the following summer, because you need that cold winter and spring to get those flowers and seed pods. Indeed, this winter hardiness explains the collards dietary significance, because it's adapted to cold months, a family can harvest a highly nutritious mess of greens every week during the time of year when green vegetables are generally not available. So it's historically important. You know, the British immigrants brought collards to America, but enslaved Africans are the ones who really introduced a deep appreciation for the nutrition in dark leafy greens. So it was with humility and respect that over several winters we traveled through Louisiana, Mississippi, Alabama, Georgia, Florida, Tennessee, South Carolina, North Carolina and Virginia. We found collard seed savers in almost every state of our 90s. Seed savers, the majority were in the coastal plain of the Carolinas or Georgia. In fact, that region should be considered the core of the collard belt, where other kinds of greens are rare. Most people have been growing and eating collards for a long time. Our system was straightforward. We would drive the back roads watching for collard patches, although in some parts of the South the Fall Winter patch would instead be turnip or mustard greens. The single most common Greens we found in a winter garden would be collards. Upon a close look, a collared patch that had heirloom varieties would have plants that vary within the plot in color and shape. In southern Alabama, we found very purple collards in eastern North Carolina, we found a range of yellow green collards. Upon discovery of such a collard patch, we would approach the owner, get their story, and ask politely for a spoonful of seeds to store in the national seed storage system, which is the seed bank the grower can name this. Seed often using their name or a family member's name. Only once were we turned away, but most people like Levi Grissett realized they have something very rare and special. Every time I met a collared seed saver and explained myself, I got a big smile in return, discovering those rare heirloom collared patches of gardeners, black and white, I gloried in the landscape colored green by that appreciation and those tiny colored seeds offered to posterity by the loving hands of rare gardeners like Levi connect us to an amazing history which the heirloom collared project now seeks to preserve.


    LuAnna  

    Well, I have a lot of questions for you. Miss Ira, but I would love to hear just your initial thoughts and reactions to hearing Ed read his piece. I'm sure you've read the piece multiple times before, but how does it feel to hear him reading it, and what are some things that maybe you haven't noticed before that you noticed this time listening to the piece,


    Wallace  

    Well, it is interesting. You know, he mentioned the particular places, like where the purple collards were and wearing the old green ones, and that was something that I had noticed. And before I got introduced to the Davis Morgan collection, when I was in Alabama, they had introduced me to the blue and purple collards. And, of course, yellow cabbage collards are something that, if you're looking at heirlooms at all in North Carolina, you can't hardly miss. So it was, yeah, having them called out, like that was good, yeah.


    LuAnna  

    That makes me think about this question I had for you, of just like this history of discovering these unique collards and kind of how Ed initially discovered Levi Grissett and his collards, and what makes these collards so special. Levi mentioned in the in the piece, he says, I've been expecting you about this collard seed, suggesting that he was waiting for someone to sort of notice this magical, unique variety that he's holding. So, yeah, I'm just curious about the history of this variety, of what you know about it, and how this variety was discovered.


    Wallace  

    Well, Levi, tell Ed that he wasn't really a collar eater himself. His wife really appreciated him, and he grew that and maintained that variety for her, and then in her memory, after she passed away, and so I think for him, it was, you know, that close family relationship and also maintaining the type of College that people in his neighborhood had. And he just thought they were different, because he was well known locally for growing big collared news. And when Ed Davis knocked on his door, he was like, Finally somebody noticed and wants to do something with these special collard greens. Can you imagine 40 years of growing something for someone?


    LuAnna  

    fYeah, that's a really special story. I I love hearing that connection to how it wasn't even his favorite thing to eat or his favorite crop, but because his wife and someone he loved loved it so much, he was willing to steward it. And I think that's a really special thought. And a lot of times people are like, don't have a connection to a crop, right? And they don't know what seed to kind of steward and work with, but this is a great example of finding an alternative way to feel connected to something, yeah.


    Wallace  

    That kind of thing with college is, you know, something, uh. That when I was growing up, was much more common that people were saving seeds and, you know, giving people samples when they got married and things like that.


    LuAnna  

    That was a question I have. Like, I'm curious, where this the story of this actual seed, like, how long it goes back? But, you know, seed donors are often traced back generation. So what do you think that suggests about this, like, personal and familial value of these heirloom varieties, that whether it was Levi or his wife's family, you know, what are the broader implications of, you know, losing crop biodiversity, as mentioned this article. How is that connected to this idea of personal and familial connection to heirloom values?


    Wallace  

    Well, when large numbers of people were saving seeds, some of the problems that you run into with crossing were somewhat eliminated because Each family or neighborhood was separated by a good distance, whereas, you know, as people have moved to live in more close urban areas, even if someone wanted To save collage seeds, it's it's a little bit more problematic unless people in a certain neighborhood say the same kind, like the purple ones In Alabama and the cabbage collards in coastal Carolinas and Carolina's, it's, it's a little bit of a problem. As Ed pointed out, it's a commitment of almost a year to the crop individually and you have to do that every few years if you want to keep up your seed so. And nowadays, people aren't as likely to have a diet where you're really counting on having those collards, you know, once or twice a week as a part of the subsistence for your family. So it makes it, makes it a challenge. And projects like the heirloom collard project gives encouragement and an opportunity to interact with other seed savers and make it more normal in your gardening practice.


    LuAnna  

    Yeah, I'm thankful that, you know, the heirloom collard project kind of aims to help these folks leave a legacy beyond their family or their hometown or whatever it be. It's cool to see how it's connected now to such a larger audience and group and inspiring so many people to get in the work of collards. The article highlights this decline in seed saving and home gardening in general. I'm just curious, what are some reasons that you think this decline especially among younger generations? Yeah, if you have any unique thoughts around why this decline is happening.


    Wallace  

    Well, there is a decline in the number of gardeners, but covid actually reversed that decline, and it's not enough to make up for, you know, 60 years of steady loss of gardeners and the concentration of them in cities, but it is enough because to start to make a difference, because people are learning about how this creates, you know, food security and maintains biodiversity. And it's not that hard. It takes time and it takes planning. But you know, all these people did this for hundreds of years, so even a young and beginning gardener can add collard seed saving into their practice. And when you go somewhere with these great big armful, beautiful collards, it inspires people.


    LuAnna  

    Yeah, that's just making me think about this idea of people get, people get really overwhelmed at the thought of seed saving, and like having to save every single seed they use, which maybe isn't the necessarily this the case. You know, there could be a lot of sharing, and there is a lot of sharing of seeds, and kind of re weaving seeds into our economy and sharing and bartering and whatever it may be, having that as not just right, we're looking at it as like, individualized, like, I have to provide all of this for myself when it could be a lot more communal and a lot more sharing of seed. And, you know, that's I think, Why, which I want to ask you about this idea of the collared belt. How, like, What even is the collar belt, and what does its existence tell us about agriculture and culture in general, and the history of the South, and this idea of sharing.


    Wallace  

    Well, the collard belt area is, you know, as Davis and Morgan defined it, that area in the Carolinas, in particular, where the sandy soils are encouraging growth for college and the mild winters, there's enough cold to vernalize the seeds so that you'll have seeds, but you only occasionally lose crops to cold winter temperatures. So like where we are in Virginia, people can save collages, but some years it's too cold for a few days and you don't have them, although, as we work with this project, we find if you save plants that are a little bit younger, they're more likely to survive severe temperature swings. And with the gardeners have that as a priority, they also have tools like spun polyester row cover that they can use to protect without very much trouble, the concepts they're maintaining for seed for the next year.


    LuAnna  

    Yeah, that's interesting. Do you think? I don't know if you have experience around seeing the sharing happen, but just the history of agriculture in the south, like, what could we learn from past methods of sharing seeds and things from old examples like the collard belt and stuff? Yeah, if that question is unclear, I can try and explain it a bit more. But yeah, just curious. Your thoughts on sharing seed and what is the best? How have you seen it successful and not get kind of like CO opted by other things?


    Wallace  

    Well, collards in the southeast, they were developed and became staple of life, of food for African Americans and so it had going for it, that it was a crop well suited to the climate in the southeast, but also that was maintained as a. A staple of the food ways of people who were being marginalized, first enslaved, and then during Jim Crow and so even as people moved to the cities that collard connected them to their grandparents, to the farming ways that they came from. I mean, they would have great big trucks loads of collards shipped up to Chicago for the holidays and that kind of thing. So I think that was important, the personal history, helping to carry that on and having it be the right kind of weather and soil certainly can't be downplayed as making the efforts that the farmers made more effective.


    LuAnna  

    Yeah, that definitely answers my question around like how this article connects to the history of enslaved Africans in America, and what does it reveal about the plants, like cultural significance and connection to resilience? You basically answered it. But if you have any other thoughts on that, yeah.


    Wallace  

    His, when we are looking at trying to chase down the history of colors. You see that they have a European origin, but that they didn't become significant until they were grown in this favorable climate in the southeast, and had large numbers of enslaved people who had a vested interest in growing them every year and adding a supplement to their diet and having them in the winter, when there's not as many green vegetables, of course, is important too.


    LuAnna  

    Yeah, there are so many different types and unique styles of collards. Yeah, I'm kind of curious beyond their uniqueness, and it's funny because you were like, just mentioning how they didn't really have any importance until enslaved people put importance on them, and this cultural connection to these marginalized groups. And I'm curious, like recognizing that obviously, as why the collard has been so resilient. I'm curious what the scientific importance of heirloom collard varieties like Levi's? What's the scientific importance, especially like according to the USDA and other people.


    Wallace  

    Well, collards because they're a member of the Brassica oleracea, and they cross and exchange genes with broccoli and cauliflower and kohlrabi and brussels sprouts and these other varieties that are better known, but the collards have a wider diversity in their genes that have been brought forth because of that seed saving tradition, and they can be used as a source of disease resistance for these more commonly eaten in the modern times, varieties, and that's what caught the interest of geneticists and of the gene bank at the USDA. And it is, yeah, really nice that we have maintained mostly the unseen things of disease resistances and when you. Look at one of the young men in Ujama who has been studying root structures, and see some of them have vast root system, and some are very small. And you know, just two common things, the big root systems can allow growing them in poor soil and still getting sufficient nutrients. And the ones that are small might be able to be help adapt to urban gardening conditions. So, yeah, there's all those hidden gems waiting to be discovered as people grow and frost and recross these varieties. It's pretty exciting when people write to us about, you know, how they found something that works where they are. And we have people adapting them to further north northern climates as well at this time.


    LuAnna  

    Yeah, that's just making me think of this idea about regional adaption that we talked about maybe last episode, this idea of regional adaptability and how like it's scientifically, yes, it's true, but a lot of people question it because they don't see it over their few years that they're working with something. But this story that you just told of you know, it takes hundreds of years and commitment and people who love and care for a crop for it to have the time to truly regionally adapt, right? And now we see collards being so adept and resilient because of this regional adaptation and this work that these people put in, and we're reaping the benefits, and we get to continue, continue with these regionally adapted and further adapt these crops, these collards, these collard varieties. So it's, I think it's a really cool story of regional adaptation that maybe we don't talk enough about. But thanks for sharing that little story. You just said, I feel like that connected a lot of dots for me, and I'm sure it'll connect a lot of dots for other people too. So thank you.


    Wallace  

    Yeah, if you come from a culture where seed saving is receding rather than expanding, you don't get exposed to the biodiversity that you can have in a crop. And this heirloom collard project introduces gardeners and small farmers to the fact that they can bring a diversity to their customers and their eaters of form, color, size, and contribute to the nutrition and also the disease resistance and hardiness of gardens, because we're trying with maintaining this biodiversity to also reduce the need for pesticides and herbicides for production. And you know, collards are tough. They have been able to survive being grown in very marginal areas and still producing nutritious food for their gardeners.


    LuAnna  

    I love hearing your thoughts around collards and yeah, just thinking about the actual story and life that collards have lived. I feel like in the state of the world today, it's just really touching on my heart to hear of this crop and what it means for people, and just remind ourselves that how important food is for not only our nourishment, but also our cultural connections and the joy we find in life. Life. So it's nice to hear that I would love to have you share anything else that's on your mind or heart that you want to share, around this story that Ed Davis shared for us, and the story around Levi grissetts, collards, or anything else that's popped up for you before we wrap up.


    Wallace  

    Well, I was when this led off with Levi Grissett, because he was one of the last seat theaters that they interviewed, and he didn't make it into the book that they wrote. And it was nice to see him and his wife featured in the college journal, because he was an example of an enthusiastic example of the kind of seed savers who had brought all of these varieties to the future and to our present, where hopefully some of US will take on maintaining them. And that's that's one reason we offering so many collards at Southern Exposure, is to make them more widely available to gardeners everywhere, especially in the southeast, where they're so well suited.


    LuAnna  

    Well, we are so grateful for that work that you are doing on sharing the good word of collards and getting more varieties out into people's hands to grow, because I do believe once people start growing them, they they start to connect with them very easily, and they're such a fun and easy crop, really, to to to work with, so especially when you find that perfect variety for your region or your spot, your location. Well, thank you. Miss IRA. I really appreciate, yeah, just your thoughts on that, on this idea of sharing collared seed, and why it's so why it's so important to continue this regional adaptation of not only collards, but other crops too.


    Wallace  

    Yeah, it's nice to use modern media to take an important traditional food and raise it up and remind people that they too can be a part of the story of moving forward.


    LuAnna  

    Yeah, it's really special. Well, thank you. Miss Ira. I guess we'll wrap up today on our fourth collard episode, they are just getting better. And I feel like each episode, we're diving deeper into our hearts around what this beautiful crop really means to us and to others. So it's really exciting to hear just all the different themes that pop up and the different stories that you've been sharing. So thank you for your time, and we are excited for future episodes. So yeah, can't wait to see what we get into next time. So everyone join us then, and thanks for listening. And here's to collards and honing in on this heart work of regional adaptation. So thank you Miss Ira.


    Wallace  

    Thank you and good luck with your finding even more purple in the purple color collection.


    LuAnna  

    Thanks for spending some time with us in the crops we love. Every seed we save and every story we tell helps shape our food system into something deeper and more resilient. If today's episode sparked a bit of curiosity, please share it with a friend or fellow gardener, and if you're able, head to our show notes to become a monthly supporter via our crop stories, donation link your contributions help keep this project going. Thank you, and until next time you.


Become a monthly supporter and directly fund the important work of Crop Stories.

3% Cover the Fee

Thank you!